The High Cost of Loving


1h 27m 1958
The High Cost of Loving

Brief Synopsis

An office worker thinks he's going to lose his job just as his wife announces she may be pregnant.

Film Details

Also Known As
Bay the Moon
Genre
Romance
Comedy
Drama
Release Date
Mar 1958
Premiere Information
not available
Production Company
Metro-Goldwyn-Mayer Corp.
Distribution Company
Loew's Inc.
Country
United States

Technical Specs

Duration
1h 27m
Sound
Mono (Westrex Recording System)
Color
Black and White
Theatrical Aspect Ratio
2.35 : 1
Film Length
7,846ft (8 reels)

Synopsis

After nine years of marriage, Jim and Virginia Fry are settled into comfortable, affectionate domesticity. One morning, Jim looks forward to the potential business opportunities brought about by the merger of his firm, Lynden Company, with Associate Industries. Jim is startled, however, when Ginny announces that she believes that she is pregnant. Ecstatic at the thought of their first child, Jim hurries to work and confides the news to best friend Steve Heyward. Celebrating in the men's room with cigars provided by the proud father-to-be, Jim's co-workers discuss the merger and speculate about changes. News soon spreads that a luncheon is being held in a few days with Associate board members and Jim, Steve and the others anticipate their personal invitations. The day passes and Jim grows increasingly despondent when he realizes that he is the only executive not to receive an invitation. He hides the fact from Steve, who has already told his wife Syd of the luncheon. Confident that the invitation portends a promotion, Syd telephones Ginny with the news. Ginny manages to tell the garrulous Syd about the baby, then leaves her job at a boutique early for a doctor's appointment. That evening over martinis with Jim, Ginny details the numerous tests she took at the doctor's, which she is certain will confirm her pregnancy. When Ginny asks Jim about the luncheon and expresses her enthusiasm about their new personal and professional prospects, Jim cannot bring himself to tell her that he has been overlooked. The next day at Lynden, new president Eli Cave meets with the department heads to go over personnel. Cave declares that he has no intention of disrupting smooth-running departments, but adds that anyone not progressing should be terminated. Herb Zorn, the new executive chief of operations, agrees with Cave and announces that the head of personnel will interview each worker individually. Each department head then describes the merit of his workers and Jim's manager, Charles Blake, gives Jim a strong recommendation. Despite Blake's support, Harry Lessing of the Controller's Office, criticizes Jim for being inefficient. After the meeting, Blake runs into Mr. Cady from shipping and, recalling an order he forgot to place, makes it directly with Cady, then advises him to tell Jim in purchasing. When Jim hears Cady's offhand message from Blake, he worries that this unusual action and his exclusion from the luncheon have serious implications. A little later, Jim is summoned to personnel to meet with its new director, Joseph Jessup. At their meeting, Jim is unnerved when he hears Jessup mention termination papers to his secretary and behaves awkwardly. Convinced that after fifteen years of loyalty and hard work, he is about to be fired, Jim writes a furious letter to Cave, then reconsiders and throws it away. That evening, Ginny mistakes Jim's brooding moodiness as an indication that he does not want to have a child. Jim apologizes, then admits his fear that the company intends to discharge him. Stunned, Ginny nevertheless helps Jim consider other options and together they recall that Paul Mason, head of a competing firm, once expressed interest in Jim. Enthused, Jim telephones Mason at home and Mason agrees to meet him the following morning. The next day, Mason welcomes Jim warmly, but admits that there are no openings in his company at the moment. Mason cautions Jim to remain at Lynden, stating that most corporations are hesitant to take on middle-aged employees. Returning to Lynden, Jim discovers Zorn waiting for him. Upon learning Zorn is the new head of operations, Jim is initially guarded, but under Zorn's questioning, Jim forthrightly discusses his development in his job, changes that he advocates and his concerns about not feeling essential. Zorn counsels Jim on the importance of taking risks, then departs. Zorn then returns to Cave with his recommendation that despite Lessing's reservations, Jim should be promoted. Cave orders the promotion effective immediately and requests that Jim be seated next to him at the luncheon. When Cave's secretary discovers that Jim has inadvertently been left off the luncheon list, Cave promises to make the invitation personally the next day. Meanwhile, Steve discovers Jim packing up his office in a growing rage over his impending termination. After Jim wildly declares his intention to confront Cave and storms out of his office, Steve stops him and begs him to reconsider. Agreeing, Jim despondently returns to his office where Ginny telephones with the news that her pregnancy test is positive. Delighted, Jim agrees to have dinner with Ginny, Steve and Syd that night. Although Steve has asked Syd not to discuss work, she nevertheless chats effusively about the luncheon until Jim reveals his certain dismissal. That evening at home, Jim and Ginny examine their debts only to discover that they do not actually own anything. The next morning, before the luncheon, when Jim wishes that he could afford to tell off the Lynden executives, Ginny encourages him to do so with her full support. Encouraged, Jim decides to face Cave, but upon finding his name being removed from his office door, Jim is furious and writes an irate letter of resignation. On his way to Cave's office, Jim does not see his new office being prepared across the hall, with his new title on the door. Finding that Cave has not arrived yet, Jim gives his resignation letter to the secretary, but as he departs, Cave and Zorn arrive and enthusiastically usher Jim into Cave's office. Cave immediately apologizes for the mix-up regarding the luncheon, then announces that Blake is being moved up to a vice presidency and Jim is being made the head of purchasing. Stunned, Jim accepts. As Jim is leaving, Cave praises Jim for taking the apparent luncheon snub so well, and Jim is forced to ask Cave to return the letter he has written. That evening, Jim happily relates the successful luncheon to Ginny and the couple celebrate their good fortune and promising future together.

Film Details

Also Known As
Bay the Moon
Genre
Romance
Comedy
Drama
Release Date
Mar 1958
Premiere Information
not available
Production Company
Metro-Goldwyn-Mayer Corp.
Distribution Company
Loew's Inc.
Country
United States

Technical Specs

Duration
1h 27m
Sound
Mono (Westrex Recording System)
Color
Black and White
Theatrical Aspect Ratio
2.35 : 1
Film Length
7,846ft (8 reels)

Articles

The High Cost of Loving


The High Cost of Loving (1958), according to a review in Variety at the time of the movie's release, includes "the costs of installment buying, prospective parenthood and, most expensive of all, the toll in man's serenity in a world of super-corporate operation where the individual is an ever increasingly minor cog." Director Jose Ferrer, who also takes on the leading role of Jim Fry, puts a satirical spin on the price paid for 1950s married life. The middle-aged Fry is reacting with paranoia to the fact that his small company has been bought by a conglomerate - just as his wife (Gena Rowlands) informs him that she may be pregnant. Ferrer sets the tone of the couple's existence in an opening scene comprised of 10 minutes of utter silence as the Frys begin a typical working day, bathing, dressing and eating breakfast like speechless sleepwalkers.

MGM's The High Cost of Loving was one of a series of five 1950s films in which Ferrer performed double duty as both director and star. The others were The Shrike (1955), The Cockleshell Heroes (1956), The Great Man (1957) and I Accuse! (1958). Ferrer's theater training led him to approach his directing work in films much as he would in a play, conducting extensive rehearsals in the large living room of the home he shared with then-wife Rosemary Clooney. "These rehearsals began about 10 days before the shooting started," The Great Man co-star Julie London explained. "The furniture was arranged to represent the studio set. As the shooting schedules were short, these rehearsals saved an enormous amount of time."

The High Cost of Loving marked the film debut of Gena Rowlands, then a 24-year-old leading lady fresh from Broadway. She had just enjoyed a great stage success in The Middle of the Night - although her role in the 1959 film version of that Paddy Chayefsky drama went to Kim Novak. Rowlands' film breakthrough as an outstanding dramatic actress came a decade later in Faces (1968), directed by her husband, John Cassavetes. Under his guidance, she won two Oscar® nominations, for A Woman Under the Influence (1974) and Gloria (1980), plus a Berlin Film Festival Best Actress award for Opening Night (1978). She remains active in film and television work, appearing most recently in the TV movie What If God Were the Sun (2007). She was also used as voice talent for the English language version of the acclaimed animated feature, Persepolis (2007).

Producer: Milo O. Frank, Jr.
Director: Jose Ferrer
Screenplay: Alford Van Ronkel, Milo O. Frank, Jr. (story)
Art Direction: Randall Duell, William A. Horning
Cinematography: George J. Folsey
Costume Design: Helen Rose
Editing: Ferris Webster
Original Music: Jeff Alexander
Cast: Jose Ferrer (Jim Fry), Joanne Gilbert (Syd Hayward), Jim Backus (Paul Mason), Gena Rowlands (Jenny Fry), Bobby Troup (Steve Hayward), Philip Ober (Herb Zorn).
BW-88m. Letterboxed. Closed captioning.

by Roger Fristoe
The High Cost Of Loving

The High Cost of Loving

The High Cost of Loving (1958), according to a review in Variety at the time of the movie's release, includes "the costs of installment buying, prospective parenthood and, most expensive of all, the toll in man's serenity in a world of super-corporate operation where the individual is an ever increasingly minor cog." Director Jose Ferrer, who also takes on the leading role of Jim Fry, puts a satirical spin on the price paid for 1950s married life. The middle-aged Fry is reacting with paranoia to the fact that his small company has been bought by a conglomerate - just as his wife (Gena Rowlands) informs him that she may be pregnant. Ferrer sets the tone of the couple's existence in an opening scene comprised of 10 minutes of utter silence as the Frys begin a typical working day, bathing, dressing and eating breakfast like speechless sleepwalkers. MGM's The High Cost of Loving was one of a series of five 1950s films in which Ferrer performed double duty as both director and star. The others were The Shrike (1955), The Cockleshell Heroes (1956), The Great Man (1957) and I Accuse! (1958). Ferrer's theater training led him to approach his directing work in films much as he would in a play, conducting extensive rehearsals in the large living room of the home he shared with then-wife Rosemary Clooney. "These rehearsals began about 10 days before the shooting started," The Great Man co-star Julie London explained. "The furniture was arranged to represent the studio set. As the shooting schedules were short, these rehearsals saved an enormous amount of time." The High Cost of Loving marked the film debut of Gena Rowlands, then a 24-year-old leading lady fresh from Broadway. She had just enjoyed a great stage success in The Middle of the Night - although her role in the 1959 film version of that Paddy Chayefsky drama went to Kim Novak. Rowlands' film breakthrough as an outstanding dramatic actress came a decade later in Faces (1968), directed by her husband, John Cassavetes. Under his guidance, she won two Oscar® nominations, for A Woman Under the Influence (1974) and Gloria (1980), plus a Berlin Film Festival Best Actress award for Opening Night (1978). She remains active in film and television work, appearing most recently in the TV movie What If God Were the Sun (2007). She was also used as voice talent for the English language version of the acclaimed animated feature, Persepolis (2007). Producer: Milo O. Frank, Jr. Director: Jose Ferrer Screenplay: Alford Van Ronkel, Milo O. Frank, Jr. (story) Art Direction: Randall Duell, William A. Horning Cinematography: George J. Folsey Costume Design: Helen Rose Editing: Ferris Webster Original Music: Jeff Alexander Cast: Jose Ferrer (Jim Fry), Joanne Gilbert (Syd Hayward), Jim Backus (Paul Mason), Gena Rowlands (Jenny Fry), Bobby Troup (Steve Hayward), Philip Ober (Herb Zorn). BW-88m. Letterboxed. Closed captioning. by Roger Fristoe

Quotes

Trivia

Notes

The film marked the motion picture debut of actress Gena Rowlands, who previously had acted on Broadway and television. Rowlands did not make another feature film until Lonely Are the Brace in 1962 (see AFI Catalog of Feature Films, 1961-70). Director Rip (Alford) Van Ronkel appears in a cameo as a cigar salesman. Henny Backus, real wife of actor Jim Backus, who portrays "Paul Mason," appears in a small role as "Mrs. Mason." Although the CBCS includes Brian Corcoran in the cast as "Mason child," neither Corcoran nor any other children appeared in the viewed print. Hollywood Reporter casting lists add William Hudson, Wanda Barton, January Ahlers, Mary Batten, Louise DeCarlo, Barbara Gayle, Anita Gegna, Jean Le Gette, Lorelei Vitkek, Margaret Bacon, Elaine Earl, Joanne Jones, Beryl McCutcheon, Peggy O'Connell, Roxanne Reed, JoAnn Sherer to the cast, but their appearance in the film has not been confirmed. Modern sources include Hank Mann in the cast. The film marked the acting debut for actor/television personality Nick Clooney, brother of singer Rosemary Clooney, who at the time was married to The High Cost of Loving star José Ferrer. Nick Clooney is also the father of actor George Clooney.

Miscellaneous Notes

Released in United States Spring March 1958

Screen debut for Gena Rowlands.

CinemaScope

Released in United States Spring March 1958