The Flame of New Orleans


1h 18m 1941

Brief Synopsis

A notorious Frenchwoman pretends to be a society lady to nab a rich husband.

Film Details

Genre
Romance
Comedy
Release Date
Apr 25, 1941
Premiere Information
New Orleans, LA opening: 24 Apr 1941
Production Company
Universal Pictures Company, Inc.
Distribution Company
Universal Pictures Company, Inc.
Country
United States

Technical Specs

Duration
1h 18m
Sound
Mono (Western Electric Mirrophonic Recording)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
7,120ft

Synopsis

After two fishermen find a wedding dress floating on the Mississippi River, the legend of "Claire of New Orleans" is born: On the day of her wedding in 1840, Countess Claire Ledux disappeared and the people of New Orleans assumed that she committed suicide. Claire's story is then revealed: when the young lady first arrives in New Orleans, she sets her sights on rich bachelor banker Charles Giraud. One night at the opera, she arranges to be seated near the banker. She "faints" and Charles rushes to her aid. After the opera, Charles sends his valet, William, after Claire's maid, Clementine. The maid then tells Claire that she has arranged a meeting in the park, during which a man will "accost" Claire and Charles can come to her rescue. Unfortunately, the wrong man, river boat captain Robert Latour, stops the carriage when his monkey runs under it. Thinking he is Charles' stooge, Claire orders her chauffeur, Samuel, to drive on. When she continually refuses to stop, Robert tips the carriage over. Back in town, Charles promises to avenge Robert's attack, stating that every night he will attend to her and eliminate one man, as there are only 100,000 men in New Orleans. At a Mardi Gras party, Claire recognizes Robert with his crew. Charles approaches the sailor and challenges him to a duel. Given his choice of weapons, Robert selects knives, which awards him a distinct advantage over the banker. Fearing the worse, Claire steps forward, telling Charles that she was mistaken about Robert. The next day, Robert invites Claire to his boat for dinner, then borrows $150 to pay for it. As Claire prepares for her date with Robert, Charles arrives to propose marriage. She accepts and sends Clementine to Robert with her regrets. Believing that she needs a doctor, Robert rushes to Claire's aid, but seeing Charles in her window, he realizes the truth. Two days before their wedding, Charles holds a reception for Claire, which is attended by newly arrived Russian Zolotov. Zolotov recognizes Claire "from St. Petersburg," and later Charles' brother-in-law overhears Zolotov telling risque stories about her to his friend, Bellows. When Charles challenges Zolotov to a duel, the frightened Russian swears he was mistaken, as the girl he knew would fake "fainting spells." At that moment Claire is carried out of the room, and the next day, Charles arrives at her home to break their engagement. Instead of Claire, Charles is confronted by Lili, Claire's illegitimate cousin from St. Petersburg. With Zolotov and Bellows in tow, Charles and his brother-in-law go to the Oyster Bed Café that night to see Lili and, reluctant to be associated with a disreputable woman like her, order her to leave town. Before she can leave, however, Lili runs into Robert, who confesses his love for her cousin. Charles then approaches Robert and tells him that if he will take Lili out of New Orleans, his bank will cancel the sailor's overdue debt. At Claire's home, Robert peers through her bedroom window and deduces that Claire and Lili are one and the same. Without revealing what he has just discovered, Robert conspires with Charles to abduct Lili. Back on his boat, Robert sets Claire free, but she decides to stay the night. The next morning, Claire tells him that they will never see each other again. He tells her that the next time they do see each other, she will come to him. At her wedding, Claire sees Robert and, realizing that she truly loves him, faints, then disappears in the ensuing mêlée. As she sails away with Robert, Claire's wedding gown is thrown into the Mississippi.

Film Details

Genre
Romance
Comedy
Release Date
Apr 25, 1941
Premiere Information
New Orleans, LA opening: 24 Apr 1941
Production Company
Universal Pictures Company, Inc.
Distribution Company
Universal Pictures Company, Inc.
Country
United States

Technical Specs

Duration
1h 18m
Sound
Mono (Western Electric Mirrophonic Recording)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
7,120ft

Award Nominations

Best Art Direction

1941

Articles

The Flame of New Orleans


Sultry screen siren Marlene Dietrich plays a dual role in the light romantic comedy The Flame of New Orleans (1941). As Claire Ledoux, Dietrich is a European adventuress during the 1840s. Leaving behind a colorful past, she comes to the shores of America in search of a rich husband and a life of comfort. Once she secures this in the form of wealthy fiance Roland Young, her past catches up with her, and she is forced to masquerade as a fictitious "bad seed" cousin to get herself off the hook. Along the way, however, she is unexpectedly sidetracked by the affections of a rugged sea captain played by Bruce Cabot.

The Flame of New Orleans was the first American film made by skilled French director Rene Clair, who made a name for himself with stylish French comedies like Le Million (1931) and A Nous la Liberte (1931). At the time of film's production, Clair was fleeing Nazi-occupied Paris during World War II and was anxious to continue making films in Hollywood. He originally wanted to make a movie with W.C. Fields and musical star Deanna Durbin, but producer Joe Pasternak suggested he instead work with Marlene Dietrich and use a script by Norman Krasna.

Dietrich was supportive of the choice of Clair as director, and she went out of her way to make him feel at home. It was not unusual for her to run all over Los Angeles to find authentic French bread and coffee to give him on the set. While Clair's skill was evident, Dietrich reportedly found him cold and disapproved of his harsh treatment of the crew. She was also unhappy with the choice of actor Bruce Cabot, best known for saving Fay Wray from the clutches of King Kong in 1933, as her sea captain love interest. She thought he was "stupid" and claimed that she paid for him to have acting lessons since he could never remember his lines.

When The Flame of New Orleans was presented to the Production Code Administration, the Hays Office refused to give it their seal of approval. They felt that Dietrich was too sexy and the film was too "dirty" to release. Screenwriter Norman Krasna later revealed that Universal simply dropped two of the middle reels in order to have it passed.

At Oscar time that year, The Flame of New Orleans was nominated for Best Art Direction, but it lost to How Green Was My Valley. The film was remade in 1952 as Scarlet Angel, which starred Yvonne DeCarlo and Rock Hudson.

Producer: Joe Pasternak
Director: Rene Clair
Screenplay: Rene Clair, Norman Krasna
Art Direction: Jack Otterson
Cinematography: Rudolph Mate
Costume Design: Rene Hubert
Film Editing: Frank Gross
Original Music: Samuel Lerner, George Parrish, Sam Perry, Charles Previn, Frank Skinner
Cast: Marlene Dietrich (Claire Ledoux), Bruce Cabot (Robert Latour), Roland Young (Charles Giraud), Mischa Auer (Zolotov), Laura Hope Crews (Auntie), Franklin Pangborn (Bellows), Clarence Muse (Samuel), Anne Revere (Giraud's sister), Andy Devine (Sailor) . BW-78m.

By Andrea Foshee

The Flame Of New Orleans

The Flame of New Orleans

Sultry screen siren Marlene Dietrich plays a dual role in the light romantic comedy The Flame of New Orleans (1941). As Claire Ledoux, Dietrich is a European adventuress during the 1840s. Leaving behind a colorful past, she comes to the shores of America in search of a rich husband and a life of comfort. Once she secures this in the form of wealthy fiance Roland Young, her past catches up with her, and she is forced to masquerade as a fictitious "bad seed" cousin to get herself off the hook. Along the way, however, she is unexpectedly sidetracked by the affections of a rugged sea captain played by Bruce Cabot. The Flame of New Orleans was the first American film made by skilled French director Rene Clair, who made a name for himself with stylish French comedies like Le Million (1931) and A Nous la Liberte (1931). At the time of film's production, Clair was fleeing Nazi-occupied Paris during World War II and was anxious to continue making films in Hollywood. He originally wanted to make a movie with W.C. Fields and musical star Deanna Durbin, but producer Joe Pasternak suggested he instead work with Marlene Dietrich and use a script by Norman Krasna. Dietrich was supportive of the choice of Clair as director, and she went out of her way to make him feel at home. It was not unusual for her to run all over Los Angeles to find authentic French bread and coffee to give him on the set. While Clair's skill was evident, Dietrich reportedly found him cold and disapproved of his harsh treatment of the crew. She was also unhappy with the choice of actor Bruce Cabot, best known for saving Fay Wray from the clutches of King Kong in 1933, as her sea captain love interest. She thought he was "stupid" and claimed that she paid for him to have acting lessons since he could never remember his lines. When The Flame of New Orleans was presented to the Production Code Administration, the Hays Office refused to give it their seal of approval. They felt that Dietrich was too sexy and the film was too "dirty" to release. Screenwriter Norman Krasna later revealed that Universal simply dropped two of the middle reels in order to have it passed. At Oscar time that year, The Flame of New Orleans was nominated for Best Art Direction, but it lost to How Green Was My Valley. The film was remade in 1952 as Scarlet Angel, which starred Yvonne DeCarlo and Rock Hudson. Producer: Joe Pasternak Director: Rene Clair Screenplay: Rene Clair, Norman Krasna Art Direction: Jack Otterson Cinematography: Rudolph Mate Costume Design: Rene Hubert Film Editing: Frank Gross Original Music: Samuel Lerner, George Parrish, Sam Perry, Charles Previn, Frank Skinner Cast: Marlene Dietrich (Claire Ledoux), Bruce Cabot (Robert Latour), Roland Young (Charles Giraud), Mischa Auer (Zolotov), Laura Hope Crews (Auntie), Franklin Pangborn (Bellows), Clarence Muse (Samuel), Anne Revere (Giraud's sister), Andy Devine (Sailor) . BW-78m. By Andrea Foshee

Quotes

Trivia

Universal was testing Maria Montez just in case Marlene Dietrich left the film.

Rene Clair stated he and screenwriter Norman Krasna devised the film to parody Marlene Dietrich's screen image, and they did so with her knowledge.

Notes

On 23 December 1940, Hollywood Reporter reported that actress Marlene Dietrich was threatening to leave this production, as she was unhappy with Universal's inability to sign a "big name" for the role of "Robert Latour." The same item noted that Universal was testing contract player Maria Montez to replace Dietrich if she did leave the film. The next day, however, it was reported that the problem had been solved, as it was Dietrich's agent, not the actress, who was complaining about the film's casting. Hollywood Reporter noted, though, that the male lead had not yet been cast. In modern sources, Dietrich's dislike of selected leading man Bruce Cabot has been made clear: she has been quoted as calling Cabot "an awfully stupid actor." While editing the film in March 1941, director René Clair entered into negotiations with Universal for a new contract, but no agreement was ever reached.
       News items and Hollywood Reporter production charts include actor Raymond Walburn in the cast, though he did not appear in the released film. Hollywood Reporter also reported the casting of actresses Dorothy Darrell and Elaine Morey, but their appearance in the released film has not been confirmed. The film's premiere was held on April 24, 1941 at the Orphium Theater in New Orleans, LA. Producer Joe Pasternak was named honorary mayor of the city during the premiere festivities, which were attended by the film's stars and a number of Universal contract players. According to modern sources, Clair stated that he and screenwriter Norman Krasna devised the film to parody the Dietrich image, and they did so with her knowledge. The film received an Academy Award nomination in the Art Direction (Black-and-White) category.