The 5000 Fingers of Dr. T


1h 28m 1953
The 5000 Fingers of Dr. T

Brief Synopsis

A young boy dreams that his piano teacher is a super-villain out to rule the world.

Film Details

MPAA Rating
Genre
Musical
Fantasy
Release Date
Aug 1953
Premiere Information
New York opening: 19 Jun 1953
Production Company
Stanley Kramer Co., Inc.
Distribution Company
Columbia Pictures Corp.
Country
United States

Technical Specs

Duration
1h 28m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
1.37 : 1
Film Length
12 reels

Synopsis

Ten-year-old Bart Collins is awakened from an unsettling dream by his domineering piano instructor, Dr. Terwilliker, who scolds him and wishes he would dream about practicing. Bart, whose father has died, plays the piano only to please his mother Heloise, but he secretly believes that the tyrannical instructor has hypnotized her into liking music. Dr. Terwilliker departs with further exhortations to practice, as August Zabladowski, the plumber, arrives to fix the sink. Mrs. Collins asks Bart to continue practicing while she goes out, but Bart soon falls asleep at the keyboard and begins dreaming: Bart sits at an enormous keyboard that stretches into infinity as Dr. Terwilliker stands high above him conducting.

He tells Bart that the next day marks the opening of the Terwilliker Institute, a fulfillment of his dream to have 500 boys and their 5,000 fingers play his enormous piano every day of the year. After Dr. Terwilliker leaves, Bart tries to run away, but gets lost before discovering Mr. Zabladowski, installing hundreds of sinks for the institute's opening. Mr. Zabladowski tells Bart that Mrs. Collins is in league with Dr. Terwilliker, but Bart refuses to believe it and insists on searching for his mother. Bart finds Mrs. Collins in a private apartment, dressed luxuriously and directing the opening activities of the institute. Mrs. Collins does not see Bart and falls into a reverie gazing at a framed picture of him until Dr. Terwilliker emerges and demands that she forget about Bart, as she is to marry him the day after the institute's opening.

Suddenly over a loudspeaker Bart is reported missing and Dr. Terwilliker orders the guard to locate him and place him in the dungeons. Bart manages to evade the guards and, crawling through the air ducts, finds Mr. Zabladowski, who shows little interest in Bart's description of Mrs. Collins' behavior. Bart fantasizes about having a wonderful, two-parent home and for a moment Mr. Zabladowski agrees with him, but then tells Bart that he has disturbed his work. When Bart pleads with Mr. Zabladowski to check on Mrs. Collins, he reluctantly agrees. They find Mrs. Collins so stunningly dressed that she mesmerizes Mr. Zabladowski until Dr. Terwilliker bursts in and tries to hypnotize the plumber. Mr. Zabladowski resists, however, and the two men engage in a battle of sorcery that ends in a draw. Mr. Zabladowski then refuses to continue installing the sinks, but Mrs. Collins pleads with him, revealing that the sink inspector will declare the institute unsanitary if there are not enough sinks. Dr. Terwilliker joins in the plea and they both continue to flatter and cajole Mr. Zabladowski, until at last he agrees to resume his work, to Bart's dismay. After Mr. Zabladowski leaves, Bart overhears Dr. Terwilliker give the order that once the sink installations are complete, the plumber is to be disintegrated, with as much pain as possible.

Bart slips away and Dr. Terwilliker, suspecting that his hypnotic powers over Mrs. Collins are fading, locks her into a cell. Bart follows Mr. Zabladowski, but the plumber only scolds and accuses Bart of lying about Dr. Terwilliker and refuses to believe in the execution order. Later, when Mr. Zabladowski overhears Bart lamenting about kids never being trusted, he apologizes, but still refuses to stop working, claiming that he needs his salary. Bart promises to get Mr. Zabladowski the money and rushes off to Dr. Terwilliker's room, where he steals the key to his gigantic safe and, leaving an IOU, takes $30 and the written execution order against Mr. Zabladowski. In escaping, Bart finds himself in the lowest dungeon, which as a man in tatters explains, is reserved for all musicians except pianists. After another broadcast declares that Bart is wanted dead or alive, Bart crawls back through the air vents to Mr. Zabladowski, who becomes convinced of Bart's story once he sees the execution order. When Mr. Zabladowski promises to always believe and care for Bart, he declares Mr. Zabladowski is as good as a father and as such, needs to rescue Mrs. Collins. Bart leads Mr. Zabladowski to his mother's cell, where the plumber burns off the lock and frees her. While escaping the three are cornered by the wicked skating twins, but Mr. Zabladowski outskates them and cuts their connecting beard, killing them.

Dr. Terwilliker vows revenge and after capturing Mrs. Collins, places her back in a trance while the guards take Mr. Zabladowski and Bart down to the lower dungeon. The next day several buses arrive carrying the 500 boys to the institute. Meanwhile, Mr. Zabladowski and Bart struggle to enhance the plumber's odor-absorbing bottle into a mix that might absorb all of the piano's notes. Nothing works until Bart adds a hearing aide lifted from a sleeping guard. Mr. Zabladowski warns Bart that their invention is revolutionary, possibly dangerous and may even be atomic. As Bart and the rest of the boys get seated at the piano, Dr. Terwilliker dresses in his finest clothes. He then officially declares the institute open, but when he directs the boys to begin playing, Bart opens his bottle and all the sound is absorbed. When Dr. Terwilliker and the guards threaten Bart, he reveals that the mixture is atomic and demands the release of his mother, Mr. Zabladowski and all the children. Dr. Terwilliker and the guards flee in a panic and Bart takes the conductor's stand until the bottle begins smoking. As the boys bolt, the building explodes. Bart then awakens and discovers Mr. Zabladowski standing over him. Mrs. Collins returns home and delightedly accepts a ride into town with the plumber. Content, Bart ignores the piano and gets his baseball and glove and, calling to his dog Sport, goes out to play.

Videos

Movie Clip

Trailer

Film Details

MPAA Rating
Genre
Musical
Fantasy
Release Date
Aug 1953
Premiere Information
New York opening: 19 Jun 1953
Production Company
Stanley Kramer Co., Inc.
Distribution Company
Columbia Pictures Corp.
Country
United States

Technical Specs

Duration
1h 28m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
1.37 : 1
Film Length
12 reels

Award Nominations

Best Score

1953

Articles

The 5,000 Fingers of Dr. T


In 1953 Columbia released The 5,000 Fingers of Dr. T, a live-action children's film based on a script by Theodor Geisel, better known as Dr. Seuss. Billed as "The Wonder Musical of the Future!", the film depicts the nightmarish dream of a young boy forced to endure hours of piano lessons. Featuring sets and characters as only Dr. Seuss could imagine them, the action plays out as young Bart tries to escape the clutches of Dr. T, whose sinister plan is to enslave 500 boys to play in unison on a giant piano (hence 5,000 fingers). Although the film garnered an Academy Award nomination for Best Scoring of a Musical Picture, it was not well received at the time of its release. In fact, the dismal response almost soured Geisel against film and television forever. Over the years since its original release, however, The 5,000 Fingers of Dr. T has amassed a cult audience that embraces the film's bizarre premise and its outlandish visual design.

Geisel submitted the story line for The 5,000 Fingers of Dr. T in 1951. Encouraged by the success of his cartoon Gerald McBoing-Boing (Best Animation Oscar, 1951), he was enthusiastic about a live-action film based on his original concept. The project was quickly linked up with producer Stanley Kramer whose varied credits included High Noon (1952), The Wild One (1954), Inherit the Wind (1960), and It's a Mad Mad Mad Mad World (1963). But the initial The 5,000 Fingers of Dr. T script weighed in at a hefty 1,200 pages; it would not be the only aspect of production that was drastically reduced. Multiple delays and studio infighting led to budget slashing but the film's production expenses still topped out at $2.75 million, Kramer's costliest yet.

Geisel and his wife, Helen, had relocated from La Jolla, California, to Los Angeles during filming to enable him to be more involved in the production. As the problems began to mount, however, Geisel grew increasingly distressed about the project. Budget cuts meant there were only enough funds to hire 150 boys instead of the intended 500 . . . but this may have been a good thing. During a break in filming, one of the boys ate a hot dog past its prime and got sick on the giant piano. This caused a vomit chain reaction, with 150 boys barfing up their lunches on the ivory keys. Geisel would later comment, "When the picture was finally released, the critics reacted in much the same matter."

Tommy Rettig was cast as Bart; best known as Lassie's first owner, he played Jeff Miller in the TV series from 1954-1958. The television show and The 5,000 Fingers of Dr. T would prove to be the apex of his career; like many child actors, he would encounter multiple troubles ranging from drug arrests to bankruptcy in later years. Hans Conried, in the role of the villainous Dr. T, was once a member of Orson Welles' Mercury Theatre and part of the original cast of the Broadway production of Can-Can. He is perhaps best remembered as the voice of Snidley Whiplash in the Dudley Do-right animated shorts featured on The Rocky and Bullwinkle Show TV series. Mary Healy and Peter Lind Hayes are featured as Bart's mother and the kindly plumber Mr. Zabladowski; their onscreen romance contains an in-joke - they were in fact husband and wife in real life. Hidden away in the cast of dancers is George Chakiris, who won a Golden Globe and Best Supporting Actor Oscar for his portrayal of Bernardo in West Side Story (1961).

Hans Conried once said of The 5,000 Fingers of Dr. T, "That was the film that might have changed my life....The Americans have never made a really successful fantasy, although of course this was a comedic one. The picture was badly cut in fear of the reappraisal after it was made, even if it was evident to those knowledgeable but inartistic heads of studio that it might have been an artistic triumph rather than a financial one. But in an attempt to make it one, they cut over 11 musical numbers and re-shot for one whole week. I had never had any such part before, never have since and probably never will again. We rehearsed for eight weeks before I was engaged to shoot for eight weeks, an extravagance that I as a bit player had never known....If it had been a success, with my prominent part in the title role, it would have changed my life."

A tremendous amount of speculation has been done regarding The 5,000 Fingers of Dr. T; Freudian and Jungian analysis has been applied to the plot line and extensive theories abound, ranging from homoeroticism to an Oedipal complex. Early script notes by Geisel do suggest a heavy correlation between the film's struggles and the themes of world dominance and oppression coming out of World War II. Whatever the motivating forces, however, the result is a film that continues to delight viewers of all ages. From the clever songs and imaginative choreography to the incredible sets, The 5,000 Fingers of Dr. T remains a pioneering and visually delicious cinematic fantasy.

Producer: Stanley Kramer
Director: Roy Rowland
Screenplay: Theodor Geisel, Allan Scott
Production Design: Rudolph Sternad
Cinematography: Franz Planer
Costume Design: Jean Louis
Film Editing: Al Clark, Harry W. Gerstad
Original Music: Frederick Hollander, Hans J. Salter, Heinz Roemheld
Cast: Peter Lind Hayes (August Zabladowski), Tommy Rettig (Bart Collins), Hans Conried (Dr. Terwilliker), Mary Healy (Mrs. Eloise Collins), John Heasley (Uncle Whitney), Robert Heasley (Uncle Judson), Noel Cravat (Sergeant Lunk).
C-89m.

by Eleanor Quin

The 5,000 Fingers Of Dr. T

The 5,000 Fingers of Dr. T

In 1953 Columbia released The 5,000 Fingers of Dr. T, a live-action children's film based on a script by Theodor Geisel, better known as Dr. Seuss. Billed as "The Wonder Musical of the Future!", the film depicts the nightmarish dream of a young boy forced to endure hours of piano lessons. Featuring sets and characters as only Dr. Seuss could imagine them, the action plays out as young Bart tries to escape the clutches of Dr. T, whose sinister plan is to enslave 500 boys to play in unison on a giant piano (hence 5,000 fingers). Although the film garnered an Academy Award nomination for Best Scoring of a Musical Picture, it was not well received at the time of its release. In fact, the dismal response almost soured Geisel against film and television forever. Over the years since its original release, however, The 5,000 Fingers of Dr. T has amassed a cult audience that embraces the film's bizarre premise and its outlandish visual design. Geisel submitted the story line for The 5,000 Fingers of Dr. T in 1951. Encouraged by the success of his cartoon Gerald McBoing-Boing (Best Animation Oscar, 1951), he was enthusiastic about a live-action film based on his original concept. The project was quickly linked up with producer Stanley Kramer whose varied credits included High Noon (1952), The Wild One (1954), Inherit the Wind (1960), and It's a Mad Mad Mad Mad World (1963). But the initial The 5,000 Fingers of Dr. T script weighed in at a hefty 1,200 pages; it would not be the only aspect of production that was drastically reduced. Multiple delays and studio infighting led to budget slashing but the film's production expenses still topped out at $2.75 million, Kramer's costliest yet. Geisel and his wife, Helen, had relocated from La Jolla, California, to Los Angeles during filming to enable him to be more involved in the production. As the problems began to mount, however, Geisel grew increasingly distressed about the project. Budget cuts meant there were only enough funds to hire 150 boys instead of the intended 500 . . . but this may have been a good thing. During a break in filming, one of the boys ate a hot dog past its prime and got sick on the giant piano. This caused a vomit chain reaction, with 150 boys barfing up their lunches on the ivory keys. Geisel would later comment, "When the picture was finally released, the critics reacted in much the same matter." Tommy Rettig was cast as Bart; best known as Lassie's first owner, he played Jeff Miller in the TV series from 1954-1958. The television show and The 5,000 Fingers of Dr. T would prove to be the apex of his career; like many child actors, he would encounter multiple troubles ranging from drug arrests to bankruptcy in later years. Hans Conried, in the role of the villainous Dr. T, was once a member of Orson Welles' Mercury Theatre and part of the original cast of the Broadway production of Can-Can. He is perhaps best remembered as the voice of Snidley Whiplash in the Dudley Do-right animated shorts featured on The Rocky and Bullwinkle Show TV series. Mary Healy and Peter Lind Hayes are featured as Bart's mother and the kindly plumber Mr. Zabladowski; their onscreen romance contains an in-joke - they were in fact husband and wife in real life. Hidden away in the cast of dancers is George Chakiris, who won a Golden Globe and Best Supporting Actor Oscar for his portrayal of Bernardo in West Side Story (1961). Hans Conried once said of The 5,000 Fingers of Dr. T, "That was the film that might have changed my life....The Americans have never made a really successful fantasy, although of course this was a comedic one. The picture was badly cut in fear of the reappraisal after it was made, even if it was evident to those knowledgeable but inartistic heads of studio that it might have been an artistic triumph rather than a financial one. But in an attempt to make it one, they cut over 11 musical numbers and re-shot for one whole week. I had never had any such part before, never have since and probably never will again. We rehearsed for eight weeks before I was engaged to shoot for eight weeks, an extravagance that I as a bit player had never known....If it had been a success, with my prominent part in the title role, it would have changed my life." A tremendous amount of speculation has been done regarding The 5,000 Fingers of Dr. T; Freudian and Jungian analysis has been applied to the plot line and extensive theories abound, ranging from homoeroticism to an Oedipal complex. Early script notes by Geisel do suggest a heavy correlation between the film's struggles and the themes of world dominance and oppression coming out of World War II. Whatever the motivating forces, however, the result is a film that continues to delight viewers of all ages. From the clever songs and imaginative choreography to the incredible sets, The 5,000 Fingers of Dr. T remains a pioneering and visually delicious cinematic fantasy. Producer: Stanley Kramer Director: Roy Rowland Screenplay: Theodor Geisel, Allan Scott Production Design: Rudolph Sternad Cinematography: Franz Planer Costume Design: Jean Louis Film Editing: Al Clark, Harry W. Gerstad Original Music: Frederick Hollander, Hans J. Salter, Heinz Roemheld Cast: Peter Lind Hayes (August Zabladowski), Tommy Rettig (Bart Collins), Hans Conried (Dr. Terwilliker), Mary Healy (Mrs. Eloise Collins), John Heasley (Uncle Whitney), Robert Heasley (Uncle Judson), Noel Cravat (Sergeant Lunk). C-89m. by Eleanor Quin

Quotes

Is it atomic?
- Doctor Terwilliker
Yes sir, VERY atomic!
- Bart Collins
The work for the happy finger method must go on.
- Mrs. Collins
I don't think the piano is my instrument.
- Bart
What other instruments are there, pray tell? Scratchy violins, screechy piccolos, nauseating trumpets, et cetera, et cetera?
- Dr. Terwilliker
See? Now do you believe me?
- Bart Collins
We should always believe children. We should even believe their lies.
- August Zabladowski
"the idiotic cock-eyed flum-dummery"
- Dr. Terwilliker

Trivia

Notes

"Dr. Seuss" was the pen name of Theodor Geisel, animator, cartoonist and author of numerous children's books. According to an item in Hollywood Reporter, twins Robert and John Heasley, who had previously skated with former Olympic champion and actress Sonja Henie and reached acclaim as a skating act, came out of retirement to appear in the film. Radio, stage and television star Peter Lind Hayes, whose previous film was the 1948 release The Senator Was Indiscreet, returned to Hollywood for The 5000 Fingers of Dr. T. with his wife and co-star, Mary Healy. Another Hollywood Reporter item indicates that director Roy Rowland made a cameo appearance in the film as a doorman. The film was nominated for an Academy Award for Best Musical Score.

Miscellaneous Notes

Released in United States Summer June 1953

Released in United States on Video June 26, 1991

Re-released in United States on Video March 21, 1995

Re-released in United States on Video June 11, 1996

Released in United States March 1985

Released in United States August 1989

Shown at Film Forum Summer Festival of Fantasy, Horror and Science Fiction August 1-2, 1989.

Formerly distributed by RCA/Columbia Pictures Home Video.

Re-released in United Kingdom March 29, 2002.

Released in United States Summer June 1953

Released in United States on Video June 26, 1991

Re-released in United States on Video March 21, 1995

Re-released in United States on Video June 11, 1996

Released in United States March 1985 (Shown at FILMEX: Los Angeles International Film Exposition (The Fabulous Fifty-Hour Filmex Fantasy Marathon) March 14-31, 1985.)

Released in United States August 1989 (Shown at Film Forum Summer Festival of Fantasy, Horror and Science Fiction August 1-2, 1989.)