Nosferatu


1h 21m 1922
Nosferatu

Brief Synopsis

In this silent film, a beautiful woman risks her life to end a vampire's plague of death and pestilence.

Film Details

Also Known As
a Symphony of Terror, the Vampire, Nosferatu: A Symphony of Horror
Genre
Silent
Adaptation
Foreign
Horror
Release Date
1922
Production Company
Kino International; Kino International; Prana Films
Distribution Company
Film Arts Guild

Technical Specs

Duration
1h 21m
Sound
Silent
Color
Black and White
Theatrical Aspect Ratio
1.33 : 1

Synopsis

Not the original Dracula movie (but close enough for most people), this follows the familiar story of Count Orloc moving from his ruined castle to the city of Wisborg, after the visit of one Jonathan Harker. Once there he becomes involved with Jonathan's fiancée Nina, who alone holds the power to destroy him.

Film Details

Also Known As
a Symphony of Terror, the Vampire, Nosferatu: A Symphony of Horror
Genre
Silent
Adaptation
Foreign
Horror
Release Date
1922
Production Company
Kino International; Kino International; Prana Films
Distribution Company
Film Arts Guild

Technical Specs

Duration
1h 21m
Sound
Silent
Color
Black and White
Theatrical Aspect Ratio
1.33 : 1

Articles

Nosferatu


One of the most foreboding and influential horror films in the history of cinema, F.W. Murnau's Nosferatu (1922) was almost kept from the screen when the widow of Bram Stoker, Florence, sued the German producers for unauthorized use of her husband's novel, Dracula. The lawsuit over Nosferatu has haunted the film's history. Wanting to distance themselves from the film, the producers of Nosferatu sold it to Deutsche Film Produktion who edited the film without Murnau's consent. The film was then altered further for its 1929 American release, making the search for the "original," "uncut" Nosferatu a film historian's obsession.

Stoker's 1897 novel formed the foundation for an astounding body of film and literature concerned with the vampire. A tale of an undead "Count Dracula" with a taste for blood, Dracula mixed Eastern European folktales with the real-life exploits of the 15th-century Prince Vlad the Impaler, who reportedly speared 100,000 of his citizens to death. For Nosferatu, screenwriter Henrik Galeen relocated Stoker's story from London to 1838 Bremen and changed his characters' names in order to evade copyright law.

At the center of F.W. Murnau's unauthorized adaptation of Stoker's seminal vampire story (the first film adaptation) is the horrifying figure of Count Orlok (Max Schreck), a nobleman who wants to buy a deserted house in the Carpathian Mountains adjacent to that of Hutter (Gustav von Wangenheim). Hutter travels to Transylvania to meet with the mysterious Count where he is attacked by Orlok's nightcrawling, vampire alter ego. After seeing a picture of Hutter's wife, Orlok travels via ship to Hutter's village of Wisborg to taste the lovely, white neck of Nina (Greta Schroeder). Like Stoker's Count Dracula, whose implicit physical lust expressed the repressed sexual desires of the Victorian era, Murnau's Nosferatu also had a sexual component, in suggesting the only cure for Orlok's evil is the untainted sexuality of a good woman. Nina reads in a book of vampire lore that the only way to stop the beast is for a virtuous woman to spend the night with him, thus sacrificing herself for the good of her society.

Probably the most memorable and chilling aspect of Nosferatu is Schreck as the monster. An actor whose own name is German for "terror," Schreck is certainly a nightmarish apparition with his bulbous head, pointed batlike ears and long, talonlike fingers and fangs. His ratlike facial features also associate him with the rodents who spread the plague across Europe. And Schreck's eerie, stammering, zombielike walk has since become a feature of numerous screen monsters, from the stammering gait of Frankenstein to the deliberate, determined pace of the killer Michael in Halloween (1978). This inspired interpretation of Stoker's monster suggests, in an almost subconscious way, the world of death and parasitism and decay created in Stoker's novel. Schreck's vampire was a thoroughly original creation, a monster far from the bloodsucking playboys of later Draculas.

No less integral to Nosferatu's masterpiece status was F.W. Murnau (Sunrise, 1927), called "the greatest film director the Germans have ever known" by film historian Lotte Eisner. Murnau employed a meager budget to great effect in Nosferatu and took the, then, uncommon tack of shooting many of the film's exterior views on location. Murnau's use of shadow to distort and dissect space to chilling effect is much remarked upon in critical discussions of the film.

Though favorably received by German critics upon its initial release, who saw the film's dire, morbid themes and moody setting as an evocation of the German sensibility of the time, American critics seemed divided on how to interpret the film's self-conscious expressionism. Variety praised the film's "extremely effective symbolism" while The New York Times dismissed Nosferatu out of hand as a "would-be spine-chiller." Today, most film historians tend to view Nosferatu as a masterpiece. In homage to the Murnau film, director E. Elias Merhige fashioned an affectionate black comedy in 2000 entitled Shadow of the Vampire, which provided an outlandish behind-the-scenes look at the making of Nosferatu. It won critical raves and earned Willem Dafoe an Oscar nomination for Best Supporting Actor for his portrayal of Max Schreck, the original "Method" actor.

Producer: Enrico Dieckmann, Albin Grau
Director: F.W. Murnau
Screenplay: Henrik Galeen from the novel by Bram Stoker
Cinematography: Fritz Arno Wagner, Gunther Krampf
Art Direction: Albin Grau
Music: Hans Erdmann
Principal Cast: Max Schreck (Nosferatu/Count Orlok), Alexander Granach (Jonathan Knock, an estate agent), Gustav von Wangenheim (Hutter), Greta Schroeder (Ellen Hutter), Georg H. Schnell (Westrenka), Ruth Landshoff (Lucy Westrenka).
BW-72m.

by Felicia Feaster
Nosferatu

Nosferatu

One of the most foreboding and influential horror films in the history of cinema, F.W. Murnau's Nosferatu (1922) was almost kept from the screen when the widow of Bram Stoker, Florence, sued the German producers for unauthorized use of her husband's novel, Dracula. The lawsuit over Nosferatu has haunted the film's history. Wanting to distance themselves from the film, the producers of Nosferatu sold it to Deutsche Film Produktion who edited the film without Murnau's consent. The film was then altered further for its 1929 American release, making the search for the "original," "uncut" Nosferatu a film historian's obsession. Stoker's 1897 novel formed the foundation for an astounding body of film and literature concerned with the vampire. A tale of an undead "Count Dracula" with a taste for blood, Dracula mixed Eastern European folktales with the real-life exploits of the 15th-century Prince Vlad the Impaler, who reportedly speared 100,000 of his citizens to death. For Nosferatu, screenwriter Henrik Galeen relocated Stoker's story from London to 1838 Bremen and changed his characters' names in order to evade copyright law. At the center of F.W. Murnau's unauthorized adaptation of Stoker's seminal vampire story (the first film adaptation) is the horrifying figure of Count Orlok (Max Schreck), a nobleman who wants to buy a deserted house in the Carpathian Mountains adjacent to that of Hutter (Gustav von Wangenheim). Hutter travels to Transylvania to meet with the mysterious Count where he is attacked by Orlok's nightcrawling, vampire alter ego. After seeing a picture of Hutter's wife, Orlok travels via ship to Hutter's village of Wisborg to taste the lovely, white neck of Nina (Greta Schroeder). Like Stoker's Count Dracula, whose implicit physical lust expressed the repressed sexual desires of the Victorian era, Murnau's Nosferatu also had a sexual component, in suggesting the only cure for Orlok's evil is the untainted sexuality of a good woman. Nina reads in a book of vampire lore that the only way to stop the beast is for a virtuous woman to spend the night with him, thus sacrificing herself for the good of her society. Probably the most memorable and chilling aspect of Nosferatu is Schreck as the monster. An actor whose own name is German for "terror," Schreck is certainly a nightmarish apparition with his bulbous head, pointed batlike ears and long, talonlike fingers and fangs. His ratlike facial features also associate him with the rodents who spread the plague across Europe. And Schreck's eerie, stammering, zombielike walk has since become a feature of numerous screen monsters, from the stammering gait of Frankenstein to the deliberate, determined pace of the killer Michael in Halloween (1978). This inspired interpretation of Stoker's monster suggests, in an almost subconscious way, the world of death and parasitism and decay created in Stoker's novel. Schreck's vampire was a thoroughly original creation, a monster far from the bloodsucking playboys of later Draculas. No less integral to Nosferatu's masterpiece status was F.W. Murnau (Sunrise, 1927), called "the greatest film director the Germans have ever known" by film historian Lotte Eisner. Murnau employed a meager budget to great effect in Nosferatu and took the, then, uncommon tack of shooting many of the film's exterior views on location. Murnau's use of shadow to distort and dissect space to chilling effect is much remarked upon in critical discussions of the film. Though favorably received by German critics upon its initial release, who saw the film's dire, morbid themes and moody setting as an evocation of the German sensibility of the time, American critics seemed divided on how to interpret the film's self-conscious expressionism. Variety praised the film's "extremely effective symbolism" while The New York Times dismissed Nosferatu out of hand as a "would-be spine-chiller." Today, most film historians tend to view Nosferatu as a masterpiece. In homage to the Murnau film, director E. Elias Merhige fashioned an affectionate black comedy in 2000 entitled Shadow of the Vampire, which provided an outlandish behind-the-scenes look at the making of Nosferatu. It won critical raves and earned Willem Dafoe an Oscar nomination for Best Supporting Actor for his portrayal of Max Schreck, the original "Method" actor. Producer: Enrico Dieckmann, Albin Grau Director: F.W. Murnau Screenplay: Henrik Galeen from the novel by Bram Stoker Cinematography: Fritz Arno Wagner, Gunther Krampf Art Direction: Albin Grau Music: Hans Erdmann Principal Cast: Max Schreck (Nosferatu/Count Orlok), Alexander Granach (Jonathan Knock, an estate agent), Gustav von Wangenheim (Hutter), Greta Schroeder (Ellen Hutter), Georg H. Schnell (Westrenka), Ruth Landshoff (Lucy Westrenka). BW-72m. by Felicia Feaster

Press - German Silent Horrors


KINO RELEASES ARCHIVAL PRESERVATIONS OF FOUR GERMAN CLASSIC HORROR FILMS

Kino on Video is proud to announce that on September 24th, 2002, it will present on VHS and DVD, a groundbreaking series with high-quality versions of four of the most influential works in the history of horror cinema. The GERMAN HORROR CLASSICS BOX SET brings for the first time to DVD and VHS, the landmark 1920 film THE GOLEM, based on a medieval Jewish legend of a Rabbi who infuses life into a statue made of clay, and Paul Leni's 1923 triptych of horror WAXWORKS. Both films were recently restored by the Cineteca di Bologna and each DVD features exclusive short films and special features.

Completing the deluxe box set, Kino on Video also presents on DVD and VHS, brand-new versions of the two greatest German horror classics: NOSFERATU (1922, F.W. Murnau) and THE CABINET OF DR. CALIGARY (1919, Robert Wiene). By going back directly to the original German source material owned by the Murnau Foundations - trustee of all German classic films - Kino on Video is confident that these new restorations can at last offer American enthusiasts the definitive versions of these two seminal films.

Both of these titles also come on DVD with a wide variety of exclusive special features, like photo and art work galleries, different choices of music scores, short films and scene comparisons. Most notably, THE CABINET OF DR. CALIGARI DVD brings a 43-minute excerpt of Robert Wiene's expressionist film GENUINE: THE TALE OF A VAMPIRE (1920). The entire DVD box set will be priced at $89.95 and each title can be bought separately on DVD and VHS for $24.95.

WAXWORKS (1923)-
Never before released on DVD or VHS, WAXWORKS was finally restored by the Cineteca del Comune di Bologna. In this rarely seen masterwork of the German Expressionist movement, three different horror stories, focusing on Jack the Ripper (Werner Krauss), Ivan the Terrible (Conrad Veidt) and Haroun Al-Raschid (Emil Jannings), are interconnected by wax figures of a carnival sideshow.
One of the most innovative stylists of the German silent cinema, director Paul Leni (THE CAT AND THE CANARY and THE MAN WHO LAUGHS) applied a wide variety of visual techniques and elements especially designed to suit the emotional turmoil of each story.
SPECIAL FEATURES (DVD):
Paul Leni's 1926 short REBUS FILM I
Excerpt from Douglas Fairbanks's THE THIEF OF BAGDAD

THE GOLEM (1920)-
Also restored by the Cineteca del Comune di Bologna, THE GOLEM: HOW HE CAME INTO THIS WORLD is finally available on DVD and VHS. Widely recognized as the source of the Frankenstein myth, the ancient Hebrew legend of the Golem provided actor/director Paul Wegener with the plot for one of the most influential films in the history of silent cinema.
Suffering under the tyrannical rule of Rudolph II in 16th-century Prague, a Talmudic rabbi (Albert Steinruck) creates a giant warrior (Paul Wegener) to protect the safety of his people. Sculpted of clay and animated by the secrets of the Kabbalah, The Golem is a seemingly indestructible juggernaut with paradoxical morale, capable of great heroism and dreadful violence. This film was one of the greatest achievements of the legendary UFA Studios, and a landmark in the evolution of horror film.
SPECIAL FEATURES (DVD):
Excerpt of Julien Duviver's 1936 film: LE GOLEM
Gallery of Photographs and artwork
SCENE COMPARISON: featuring excerpts of F.W. Murnau's FAUST (1926) and Chayim Bloch's book THE GOLEM (1925).
New and Improved English intertitles

NOSFERATU (1922)-
Slightly based on Bram Stoker's Dracula, NOSFERATU is the quintessential silent vampire film, crafted by legendary German director F.W. Murnau (SUNRISE). Rather than depicting Dracula as a shape-shifting monster or a charming gentleman, Murnau's Graf Orlok is depicted as a nightmarish, spidery creature of bulbous head and long claws. Restored by the Cineteca di Bologna and licensed by Transit Films / Murnau Foundation, NOSFERATU was an atypical expressionist film in that much of it was shot on location in the Carpathian Mountains. Murnau was thus able to infuse the story with the violence and mystery usually associated with nature. SPECIAL FEATURES (DVD):
Lengthy excerpts from other Murnau films: J0URNEY INTO THE NIGHT (1920), THE HANTED CASTLE (1921), PHANTOM (1922), THE LAST LAUGH (1924), FAUST (1926) and TABU (1931).
Two musical scores to choose from;
Photo Gallery;
Scene Comparison: Novel, Screenplay & Film

THE CABINET OF DR. CALIGARI (1919) -
The most well known and audacious example of German Expressionism on film, THE CABINET OF DR. CALIGARI is a groundbreaking hallucinatory plunge into the mind of a demented doctor and his carnival sleepwalker while they perpetrate a series of ghastly murders in a small community.
Director Robert Wiene crafted a nightmare world in which light, shadow and set design work with unprecedented integration in order to reflect its disturbing characters. This Kino on Video release has been mastered from a 35MM print restored by the Murnau Foundation (Fritz Lang's METROPOLIS), and it brings for the first time, the film's original color tinting and toning.
SPECIAL FEATURES (DVD):
A 43-minute condensation of Robert Wiene's GENUINE: THE TALE OF A VAMPIRE (1920) Behind-the-scene footage of Robert Wiene on the set of I.N.R.I.
Gallery of more than 40 photos, posters and production sketches
Two musical scores to choose from:
Music composed and performed by Donald Sosin
Contemporary orchestral score by Rainer Viertblock

For more information or purchase the boxed set, visit Kino International.

Press - German Silent Horrors

KINO RELEASES ARCHIVAL PRESERVATIONS OF FOUR GERMAN CLASSIC HORROR FILMS Kino on Video is proud to announce that on September 24th, 2002, it will present on VHS and DVD, a groundbreaking series with high-quality versions of four of the most influential works in the history of horror cinema. The GERMAN HORROR CLASSICS BOX SET brings for the first time to DVD and VHS, the landmark 1920 film THE GOLEM, based on a medieval Jewish legend of a Rabbi who infuses life into a statue made of clay, and Paul Leni's 1923 triptych of horror WAXWORKS. Both films were recently restored by the Cineteca di Bologna and each DVD features exclusive short films and special features. Completing the deluxe box set, Kino on Video also presents on DVD and VHS, brand-new versions of the two greatest German horror classics: NOSFERATU (1922, F.W. Murnau) and THE CABINET OF DR. CALIGARY (1919, Robert Wiene). By going back directly to the original German source material owned by the Murnau Foundations - trustee of all German classic films - Kino on Video is confident that these new restorations can at last offer American enthusiasts the definitive versions of these two seminal films. Both of these titles also come on DVD with a wide variety of exclusive special features, like photo and art work galleries, different choices of music scores, short films and scene comparisons. Most notably, THE CABINET OF DR. CALIGARI DVD brings a 43-minute excerpt of Robert Wiene's expressionist film GENUINE: THE TALE OF A VAMPIRE (1920). The entire DVD box set will be priced at $89.95 and each title can be bought separately on DVD and VHS for $24.95. WAXWORKS (1923)- Never before released on DVD or VHS, WAXWORKS was finally restored by the Cineteca del Comune di Bologna. In this rarely seen masterwork of the German Expressionist movement, three different horror stories, focusing on Jack the Ripper (Werner Krauss), Ivan the Terrible (Conrad Veidt) and Haroun Al-Raschid (Emil Jannings), are interconnected by wax figures of a carnival sideshow. One of the most innovative stylists of the German silent cinema, director Paul Leni (THE CAT AND THE CANARY and THE MAN WHO LAUGHS) applied a wide variety of visual techniques and elements especially designed to suit the emotional turmoil of each story. SPECIAL FEATURES (DVD): Paul Leni's 1926 short REBUS FILM I Excerpt from Douglas Fairbanks's THE THIEF OF BAGDAD THE GOLEM (1920)- Also restored by the Cineteca del Comune di Bologna, THE GOLEM: HOW HE CAME INTO THIS WORLD is finally available on DVD and VHS. Widely recognized as the source of the Frankenstein myth, the ancient Hebrew legend of the Golem provided actor/director Paul Wegener with the plot for one of the most influential films in the history of silent cinema. Suffering under the tyrannical rule of Rudolph II in 16th-century Prague, a Talmudic rabbi (Albert Steinruck) creates a giant warrior (Paul Wegener) to protect the safety of his people. Sculpted of clay and animated by the secrets of the Kabbalah, The Golem is a seemingly indestructible juggernaut with paradoxical morale, capable of great heroism and dreadful violence. This film was one of the greatest achievements of the legendary UFA Studios, and a landmark in the evolution of horror film. SPECIAL FEATURES (DVD): Excerpt of Julien Duviver's 1936 film: LE GOLEM Gallery of Photographs and artwork SCENE COMPARISON: featuring excerpts of F.W. Murnau's FAUST (1926) and Chayim Bloch's book THE GOLEM (1925). New and Improved English intertitles NOSFERATU (1922)- Slightly based on Bram Stoker's Dracula, NOSFERATU is the quintessential silent vampire film, crafted by legendary German director F.W. Murnau (SUNRISE). Rather than depicting Dracula as a shape-shifting monster or a charming gentleman, Murnau's Graf Orlok is depicted as a nightmarish, spidery creature of bulbous head and long claws. Restored by the Cineteca di Bologna and licensed by Transit Films / Murnau Foundation, NOSFERATU was an atypical expressionist film in that much of it was shot on location in the Carpathian Mountains. Murnau was thus able to infuse the story with the violence and mystery usually associated with nature. SPECIAL FEATURES (DVD): Lengthy excerpts from other Murnau films: J0URNEY INTO THE NIGHT (1920), THE HANTED CASTLE (1921), PHANTOM (1922), THE LAST LAUGH (1924), FAUST (1926) and TABU (1931). Two musical scores to choose from; Photo Gallery; Scene Comparison: Novel, Screenplay & Film THE CABINET OF DR. CALIGARI (1919) - The most well known and audacious example of German Expressionism on film, THE CABINET OF DR. CALIGARI is a groundbreaking hallucinatory plunge into the mind of a demented doctor and his carnival sleepwalker while they perpetrate a series of ghastly murders in a small community. Director Robert Wiene crafted a nightmare world in which light, shadow and set design work with unprecedented integration in order to reflect its disturbing characters. This Kino on Video release has been mastered from a 35MM print restored by the Murnau Foundation (Fritz Lang's METROPOLIS), and it brings for the first time, the film's original color tinting and toning. SPECIAL FEATURES (DVD): A 43-minute condensation of Robert Wiene's GENUINE: THE TALE OF A VAMPIRE (1920) Behind-the-scene footage of Robert Wiene on the set of I.N.R.I. Gallery of more than 40 photos, posters and production sketches Two musical scores to choose from: Music composed and performed by Donald Sosin Contemporary orchestral score by Rainer Viertblock For more information or purchase the boxed set, visit Kino International.

GERMAN HORROR CLASSICS BOX SET


Kino on Video is proud to announce on VHS and DVD, a groundbreaking series with high-quality versions of four of the most influential works in the history of horror cinema. The GERMAN HORROR CLASSICS BOX SET brings for the first time to DVD and VHS, the landmark 1920 film THE GOLEM, based on a medieval Jewish legend of a Rabbi who infuses life into a statue made of clay, and Paul Leni's 1923 triptych of horror WAXWORKS. Both films were recently restored by the Cineteca di Bologna and each DVD features exclusive short films and special features.

Completing the deluxe box set, Kino on Video also presents on DVD and VHS, brand-new versions of the two greatest German horror classics: NOSFERATU (1922, F.W. Murnau) and THE CABINET OF DR. CALIGARY (1919, Robert Wiene). By going back directly to the original German source material owned by the Murnau Foundations - trustee of all German classic film - Kino on Video is confident that these new restorations can at last offer American enthusiasts the definitive versions of these two seminal films.

Both of these titles also come on DVD with a wide variety of exclusive special features, like photo and art work galleries, different choices of music scores, short films and scene comparisons. Most notably, THE CABINET OF DR. CALIGARI DVD brings a 43-minute excerpt of Robert Wiene's expressionist film GENUINE: THE TALE OF A VAMPIRE (1920). The entire DVD box set will be priced at $89.95 and each title can be bought separately on DVD and VHS for $24.95.

WAXWORKS (1923)-
Never before released on DVD or VHS, WAXWORKS was finally restored by the Cineteca del Comune di Bologna. In this rarely seen masterwork of the German Expressionist movement, three different horror stories, focusing on Jack the Ripper (Werner Krauss), Ivan the Terrible (Conrad Veidt) and Haroun Al-Raschid (Emil Jannings), are interconnected by wax figures of a carnival sideshow.
One of the most innovative stylists of the German silent cinema, director Paul Leni (THE CAT AND THE CANARY and THE MAN WHO LAUGHS) applied a wide variety of visual techniques and elements especially designed to suit the emotional turmoil of each story.
SPECIAL FEATURES (DVD):
Paul Leni's 1926 short REBUS FILM I
Excerpt from Douglas Fairbanks's THE THIEF OF BAGDAD

THE GOLEM (1920)-
Also restored by the Cineteca del Comune di Bologna, THE GOLEM: HOW HE CAME INTO THIS WORLD is finally available on DVD and VHS. Widely recognized as the source of the Frankenstein myth, the ancient Hebrew legend of the Golem provided actor/director Paul Wegener with the plot for one of the most influential films in the history of silent cinema.
Suffering under the tyrannical rule of Rudolph II in 16th-century Prague, a Talmudic rabbi (Albert Steinruck) creates a giant warrior (Paul Wegener) to protect the safety of his people. Sculpted of clay and animated by the secrets of the Kabbalah, The Golem is a seemingly indestructible juggernaut with paradoxical morale, capable of great heroism and dreadful violence. This film was one of the greatest achievements of the legendary UFA Studios, and a landmark in the evolution of horror film.
SPECIAL FEATURES (DVD):
Excerpt of Julien Duviver's 1936 film: LE GOLEM
Gallery of Photographs and artwork
SCENE COMPARISON: featuring excerpts of F.W. Murnau's FAUST (1926) and Chayim Bloch's book THE GOLEM (1925).
New and Improved English intertitles

NOSFERATU (1922)-
Slightly based on Bram Stoker's Dracula, NOSFERATU is the quintessential silent vampire film, crafted by legendary German director F.W. Murnau (SUNRISE). Rather than depicting Dracula as a shape-shifting monster or a charming gentleman, Murnau's Graf Orlok is depicted as a nightmarish, spidery creature of bulbous head and long claws. Restored by the Cineteca di Bologna and licensed by Transit Films / Murnau Foundation, NOSFERATU was an atypical expressionist film in that much of it was shot on location in the Carpathian Mountains. Murnau was thus able to infuse the story with the violence and mystery usually associated with nature. SPECIAL FEATURES (DVD):
Lengthy excerpts from other Murnau films: J0URNEY INTO THE NIGHT (1920), THE HANTED CASTLE (1921), PHANTOM (1922), THE LAST LAUGH (1924), FAUST (1926) and TABU (1931).
Two musical scores to choose from;
Photo Gallery;
Scene Comparison: Novel, Screenplay & Film

THE CABINET OF DR. CALIGARI (1919) -
The most well known and audacious example of German Expressionism on film, THE CABINET OF DR. CALIGARI is a groundbreaking hallucinatory plunge into the mind of a demented doctor and his carnival sleepwalker while they perpetrate a series of ghastly murders in a small community.
Director Robert Wiene crafted a nightmare world in which light, shadow and set design work with unprecedented integration in order to reflect its disturbing characters. This Kino on Video release has been mastered from a 35MM print restored by the Murnau Foundation (Fritz Lang's METROPOLIS), and it brings for the first time, the film's original color tinting and toning.
SPECIAL FEATURES (DVD):
A 43-minute condensation of Robert Wiene's GENUINE: THE TALE OF A VAMPIRE (1920) Behind-the-scene footage of Robert Wiene on the set of I.N.R.I.
Gallery of more than 40 photos, posters and production sketches
Two musical scores to choose from:
Music composed and performed by Donald Sosin
Contemporary orchestral score by Rainer Viertblock

For more information or purchase the boxed set, visit Kino International.

GERMAN HORROR CLASSICS BOX SET

Kino on Video is proud to announce on VHS and DVD, a groundbreaking series with high-quality versions of four of the most influential works in the history of horror cinema. The GERMAN HORROR CLASSICS BOX SET brings for the first time to DVD and VHS, the landmark 1920 film THE GOLEM, based on a medieval Jewish legend of a Rabbi who infuses life into a statue made of clay, and Paul Leni's 1923 triptych of horror WAXWORKS. Both films were recently restored by the Cineteca di Bologna and each DVD features exclusive short films and special features. Completing the deluxe box set, Kino on Video also presents on DVD and VHS, brand-new versions of the two greatest German horror classics: NOSFERATU (1922, F.W. Murnau) and THE CABINET OF DR. CALIGARY (1919, Robert Wiene). By going back directly to the original German source material owned by the Murnau Foundations - trustee of all German classic film - Kino on Video is confident that these new restorations can at last offer American enthusiasts the definitive versions of these two seminal films. Both of these titles also come on DVD with a wide variety of exclusive special features, like photo and art work galleries, different choices of music scores, short films and scene comparisons. Most notably, THE CABINET OF DR. CALIGARI DVD brings a 43-minute excerpt of Robert Wiene's expressionist film GENUINE: THE TALE OF A VAMPIRE (1920). The entire DVD box set will be priced at $89.95 and each title can be bought separately on DVD and VHS for $24.95. WAXWORKS (1923)- Never before released on DVD or VHS, WAXWORKS was finally restored by the Cineteca del Comune di Bologna. In this rarely seen masterwork of the German Expressionist movement, three different horror stories, focusing on Jack the Ripper (Werner Krauss), Ivan the Terrible (Conrad Veidt) and Haroun Al-Raschid (Emil Jannings), are interconnected by wax figures of a carnival sideshow. One of the most innovative stylists of the German silent cinema, director Paul Leni (THE CAT AND THE CANARY and THE MAN WHO LAUGHS) applied a wide variety of visual techniques and elements especially designed to suit the emotional turmoil of each story. SPECIAL FEATURES (DVD): Paul Leni's 1926 short REBUS FILM I Excerpt from Douglas Fairbanks's THE THIEF OF BAGDAD THE GOLEM (1920)- Also restored by the Cineteca del Comune di Bologna, THE GOLEM: HOW HE CAME INTO THIS WORLD is finally available on DVD and VHS. Widely recognized as the source of the Frankenstein myth, the ancient Hebrew legend of the Golem provided actor/director Paul Wegener with the plot for one of the most influential films in the history of silent cinema. Suffering under the tyrannical rule of Rudolph II in 16th-century Prague, a Talmudic rabbi (Albert Steinruck) creates a giant warrior (Paul Wegener) to protect the safety of his people. Sculpted of clay and animated by the secrets of the Kabbalah, The Golem is a seemingly indestructible juggernaut with paradoxical morale, capable of great heroism and dreadful violence. This film was one of the greatest achievements of the legendary UFA Studios, and a landmark in the evolution of horror film. SPECIAL FEATURES (DVD): Excerpt of Julien Duviver's 1936 film: LE GOLEM Gallery of Photographs and artwork SCENE COMPARISON: featuring excerpts of F.W. Murnau's FAUST (1926) and Chayim Bloch's book THE GOLEM (1925). New and Improved English intertitles NOSFERATU (1922)- Slightly based on Bram Stoker's Dracula, NOSFERATU is the quintessential silent vampire film, crafted by legendary German director F.W. Murnau (SUNRISE). Rather than depicting Dracula as a shape-shifting monster or a charming gentleman, Murnau's Graf Orlok is depicted as a nightmarish, spidery creature of bulbous head and long claws. Restored by the Cineteca di Bologna and licensed by Transit Films / Murnau Foundation, NOSFERATU was an atypical expressionist film in that much of it was shot on location in the Carpathian Mountains. Murnau was thus able to infuse the story with the violence and mystery usually associated with nature. SPECIAL FEATURES (DVD): Lengthy excerpts from other Murnau films: J0URNEY INTO THE NIGHT (1920), THE HANTED CASTLE (1921), PHANTOM (1922), THE LAST LAUGH (1924), FAUST (1926) and TABU (1931). Two musical scores to choose from; Photo Gallery; Scene Comparison: Novel, Screenplay & Film THE CABINET OF DR. CALIGARI (1919) - The most well known and audacious example of German Expressionism on film, THE CABINET OF DR. CALIGARI is a groundbreaking hallucinatory plunge into the mind of a demented doctor and his carnival sleepwalker while they perpetrate a series of ghastly murders in a small community. Director Robert Wiene crafted a nightmare world in which light, shadow and set design work with unprecedented integration in order to reflect its disturbing characters. This Kino on Video release has been mastered from a 35MM print restored by the Murnau Foundation (Fritz Lang's METROPOLIS), and it brings for the first time, the film's original color tinting and toning. SPECIAL FEATURES (DVD): A 43-minute condensation of Robert Wiene's GENUINE: THE TALE OF A VAMPIRE (1920) Behind-the-scene footage of Robert Wiene on the set of I.N.R.I. Gallery of more than 40 photos, posters and production sketches Two musical scores to choose from: Music composed and performed by Donald Sosin Contemporary orchestral score by Rainer Viertblock For more information or purchase the boxed set, visit Kino International.

Quotes

Is this your wife? What a lovely throat.
- Graf Orlok
Wait, young man. You cannot escape destiny by running away!
- Prof. Bulwer

Trivia

All known prints and negatives were destroyed under the terms of settlement of a lawsuit by Stoker's widow. However, the film would subsequently surface in other countries.

The character Orlock is never seen blinking onscreen.

Clips from the original "Nosferatu" movie are included in the rock band Queen's "Under Pressure" video.

Filmed between August and October 1921.

"Max Schreck" is idiomatic German for "maximum terror".