Not Tonight Henry


1h 15m 1961

Brief Synopsis

One of the early color near-nudie films and was reshown often by, mostly, drive-in theatre owners in need of a quick cash fix. They would hang out the "Adults Only" sign, thereby ensuring that every high school and junior high boy (and more than a few Dads) within an hour's drive would storm the gate, and turn on the pop corn machine and then hot-foot it to the night-desposit at the bank. "Not Tonight, Henry" (the actual title and not an alternate title as some seem to think) was a large step up in quality for director W. Merle Connell in that it was in color and also not just a static-camera filming of a burlesque show inside of one of L. A.'s smoky, grind house burleyques. The girls were still out of burlesque, as were Hank Henry and Little Jack Little: Hank Henry is more than a little frustrated at the "lack of attention" he is getting at home from his wife (Burlesque performer Valkyra) and starts dreaming up amorous escapades with sirens from the past...Cleopatra (Daurine Dare), Josephine (Joanne Berges), Delilah (Marge Welling) and others. Most end in some old burlesque skit or blackout gag, but Henry makes the history rounds. While he is dreaming, his wife is reading a book about the great lovers of history. When he "returns" the wife tells him he doesn't have to sleep on the couch any more...and amends that to---"at least, not tonight, Henry."

Film Details

Release Date
Jan 1961
Premiere Information
World premiere in Los Angeles: 30 Dec 1960
Production Company
Triumph Productions, Inc.
Distribution Company
Foremost Films, Inc.
Country
United States

Technical Specs

Duration
1h 15m
Sound
Mono
Color
Color (Eastmancolor)

Synopsis

As the result of a serious study conducted by the world renowned Dr. Finzy, certain conclusions are drawn about the average American husband and wife, represented by "Mr. and Mrs. X." Despite being reasonably happy in his marriage, Mr. X chafes under his wife's constant nagging that he should assist in running the household. His only avenues of escape are reading and an occasional beer. Bored by monotonous television programming, Mr. X frequently finds solace at his local bar, a "university of knowledge" where he can mingle anonymously with the crowd. At the bar, Mr. X indulges in numerous daydreams to pass the time and, considering his relationship with his wife, thinks back over the historical relationships between the sexes. Imagining life as Marc Antony with Cleopatra, Mr. X is dismayed when the Egyptian queen seems more interested in her asp than his attentions. Upon her suicide, he is abandoned to his fate with Roman soldiers. Then, Mr. X imagines himself as Napoleon, ready to strike at Russia until sidetracked by the lovely Josephine, who seems to return his interest. Napoleon then discovers that Josephine is married and has no intention of divorcing her older, shorter husband. Although Mr. X is beginning to notice a pattern in history's heroes' relationships with women, he allows himself to fall into another reverie in which he is explorer and soldier John Smith, confronting Native Americans. John is soon captured by semi-nude male warriors and held prisoner by nude Indian women. The chieftain's lovely daughter Pocahontas saves John from execution. John's fleeting romance with Pocahontas is cut short, however, when she decides to run off with an older and richer colonist. Dismayed that historical women treat their men harshly, Mr. X thinks about the great romantic pair, Samson and Delilah, but quickly realizes that Delilah only seduced the strong man to steal his powers. In Renaissance Italy, Mr. X wonders about the infamous Lucretia Borgia. As Ferdinand the Fat, Mr. X imagines marrying Lucretia but becomes deeply suspicious of her motives when she provides him with an elixir. Believing he is about to be poisoned, Ferdinand refuses to drink at first, unaware that the drink is actually a love potion. When he finally does take the drink, Ferdinand, unused to romantic stimulation, merely gets a stomach ache. Back in the bar, Mr. X considers some of the attractive customers but reflects that since caveman days, men have always been dominated by women. Determined to break the pattern, Mr. X returns home to tell his wife that he cares for her but will not stand for further bullying. Mr. X is pleasantly surprised to find Mrs. X waiting in a negligee and forgets to tell her of his new plan.

Film Details

Release Date
Jan 1961
Premiere Information
World premiere in Los Angeles: 30 Dec 1960
Production Company
Triumph Productions, Inc.
Distribution Company
Foremost Films, Inc.
Country
United States

Technical Specs

Duration
1h 15m
Sound
Mono
Color
Color (Eastmancolor)

Quotes

Trivia

Notes

Although there is a copyright statement on the film, it was not registered for copyright. The opening title sequence features star and Las Vegas comic player Henry Hank mimicking the signature opening for the prestigious British production company, J. Arthur Rank, in which a muscular, semi-nude man strikes an enormous gong. Hank appears sparsely dressed before a large gong, but after making a wild swing, misses the gong and falls down. The principle female cast members are shown individually, apparently nude, hanging underwear on a laundry line.
       Technical credits feature similar "sight gags," such as the credit for the cameraman showing a man and woman underneath a dark blanket standing together behind the camera, the casting director credit featuring a man on a hospital gurney waving weakly, and the miscellaneous crew credits scrolled over men kneeling on the floor gambling until interrupted by a policeman, credited as the production manager, who then confiscates the winnings of the last player.
       Not Tonight Henry opened in Los Angeles on December 30, 1960 at the Monica International Theater. According to a Hollywood Citizen-News January 7, 1961 news item, the previous night's screening had been halted due to a raid by sheriff's deputies, and the confiscation of the film. A deputy was quoted describing Not Tonight Henry as "openly provocative and (an) outrage...(to) public decency." The Monica Theater's manager, owner and projectionist were taken into custody. A January 12, 1961 Daily Variety news item quoted Hank as insisting that footage of him appearing with nude women in the film was done using process photography. Hank also noted the money he made from the film was donated to Las Vegas charities.
       A February 13, 1961 Hollywood Reporter news item indicated that the resulting seven-day "obscenity" trial ended with a "not guilty" verdict, afer which the film reopened immediately. A Box Office news item in March 1961 stated that after the film reopened, it broke records at the Monica Theater. Later in November 1960, a print of Not Tonight Henry was seized in Modesto, CA and the theater owner and the manager were arrested on charges of obscenity in hopes of testing out a new section of the California State Penal code which had gone into effect in September 1961. The case was initially dismissed, then again brought up for trial, but that case resulted in a mistrial after the jury deadlocked on its decision. There is no information on further retrials.