Mr. Broadway
Cast & Crew
Johnnie Walker
Ed Sullivan
Jack Dempsey
Abe Lyman And Band
N. T. Granlund
Gus Edwards
Film Details
Technical Specs
Synopsis
Broadway columnist Ed Sullivan, known as "Mr. Broadway," speaks with Johnnie Walker, the producer of this film, over the telephone. Ed, who is surprised to learn that the audience is already in the theater, is instructed by Walker to talk directly to the audience, and Ed introduces himself and the film, which he calls "a Broadway travelogue" of nightclubs where celebrities congregate. At the "Paradise," band leader Abe Lyman calls Ed to the microphone, and Ed introduces a number of celebrities. Ed continues on what he calls his "Dawn Patrol" to the "Hollywood," where a gangster named Tony vows to another gangster to kill Ed because of some columns he has written. Ed jots down a story he hears from a woman, then introduces her to a number of celebrities, including Bert Lahr and Jack Benny, who then clown with a waiter. Tony decides not to kill Ed, because, he says, if he kills one columnist, another will soon come along. Ed then leaves to dress for the Central Park Casino, where Ted Husing broadcasts dance music over the radio. Husing describes for his listeners a number of celebrities on the dance floor, including Lupe Velez with Jack Haley, Ernst Lubitsch and a dancing partner Husing does not know, and Johnnie Walker with Josephine Dunn. Ed arrives and sits with Walker and Dunn. Dunn, who is visiting from Hollywood, tells Ed that he is widely read on the coast. After she expresses interest in how Ed gets enough material for his daily column, Ed says that to him everything and everyone holds a story. He tells Dunn that her necklace reminds him of a great story, which he then relates: Two pals, Sam, an old waterfront derelict, and Bob, a naïve younger man whom Sam looks out for, enter a waterfront dive. Once Sam leaves the table, Daisey, an attractive woman, asks Bob to buy her a drink. Bob politely invites her to sit, and she tells him that she came over because he looks like a gentleman. Sam, aware that Daisey is a prostitute, leaves them together after instructing her to give Bob "the works." Bob and Daisey drink together, and when Bob hears a sailor make an indecent remark to a woman, he starts a fight with the sailor. Afterward, Bob tells Daisey that he never should have come to such a place, but she brightly reminds him that if he hadn't, they wouldn't have met. They then go to her apartment. Sometime later, Daisey sees Sam find a very valuable necklace in front of the Waldorf Astoria. Daisey, who feels that it is just as much hers as Sam's, suggests to Bob that with the necklace, they could get away and start over in a new place. Bob objects and says that Sam will share it with them, but Daisey convinces him to get it, because, she says, it is their only chance to be together. Bob goes to the shack where he and Sam stay and looks for the necklace, then demands that Sam give it to him. Sam tries to calm Bob, but Bob kills him when he refuses to give up the "stones." When Bob returns to Daisey, he hears laughter coming from her room and sees another man leave. At first, Daisey denies his accusations about the other man, then says "What of it," and a gunshot rings out. Back at the club, Ed reveals that Bob killed himself and says that he hasn't written the story because a cigarette girl, who has come by their table, is Daisey's daughter, and that she told him the tale. Walker hands Ed a drink under the table, and then Ed invites Walker and Dunn to "Reuben's" for a cup of coffee. On the street, a tramp asks them for money, and Ed bets Walker that the tramp has a great story. When Ed questions him, the tramp reveals that he once had wealth, fame and popularity. Ed asks whether he had been a banker, lawyer, engineer or architect, but the tramp says that his profession was short-lived and reveals that he had been a Broadway columnist.
Director
Johnnie Walker
Cast
Ed Sullivan
Jack Dempsey
Abe Lyman And Band
N. T. Granlund
Gus Edwards
Primo Carnera
"prince" Michael Romanoff
Ruth Etting
Bert Lahr
Frank Hazzard
Isham Jones And Orchestra
Jean Mccue
Jack Benny
Mary Livingstone
Blossom Seeley
Benny Fields
Billy La Hift
Joe Frisco
Ted Husing
Eddie Duchin And His Central Park Casino Dance Orchestra
Lupe Velez
Jack Haley
Ernst Lubitsch
Johnnie Walker
Josephine Dunn
A. Friedlander
Jay C. Flippen
Tony Canzoneri
Maxie Rosenbloom
Evelyn Herbert
Dinty Mahoney
Hilda Moreno
Lita Grey Chaplin
Hal Leroy
The Aber Twins
Tom Moore
Dita Parlo
William Desmond
Arthur Housman
Ruth Burns
Crew
Harold Arlen
Marc Asch
Ted Koehler
Lester Lang
Florence Pollack
Adolph Pollak
Walter Sheridan
Ed Sullivan
Edgar G. Ulmer
Edgar G. Ulmer
Johnnie Walker
Harold Walls
Frank Zucker
Film Details
Technical Specs
Quotes
Trivia
Notes
The plot summary was based on a dialogue continuity at NYSA. Ed Sullivan began his career as a Broadway columnist in 1931 and the next year joined the New York Daily News and also began a radio program. In later years, Sullivan became known for his Sunday evening television variety show. Producer-director Johnnie Walker was a well-known actor of the 1920s, and according to modern sources, this was his only film as a director. The section in the film of the story that Sullivan tells Josephine Dunn and Walker runs for approximately two reels and was taken from a film produced at Metropolitan Studios in Fort Lee, NJ in March 1932 for Peerless Productions, which was entitled The Warning Shadow during production. That film, which was described in a news item as a "cinema fantasy with a New York background," was retitled Love's Interlude, but appears to never have been released. According to Film Daily news items, the 1932 film was directed by Edgar G. Ulmer, produced by Adolph Pollak and starred Dita Parlo, Tom Moore and William Desmond. News items state that Byron Gay wrote the song "For Him" for the 1932 film. In a modern interview, Ulmer stated, "Sullivan forced it into one of those moonlight and pretzel things" and that "the laboratory controlled the picture." The original film, had it been released, would have been Ulmer's first English-language film as a director. Although Ulmer is not credited in reviews for Mr. Broadway, it is possible that Ulmer also worked as a director on the other parts of Mr. Broadway, but no conclusive evidence concerning this has been located. Cameraman Frank Zucker worked on both the 1932 film and on Mr. Broadway, according to news items and reviews. The opening scene of Mr. Broadway, in which Sullivan speaks directly to the audience, was added close to the release date, according to information in the NYSA file on the film.