The combat thriller Target Zero (1955) ignores the specifics of the Korean War to inject a romance into its desperate battlefield action. Because studio marketers determined that women made most movie-going decisions, even the biggest war movies of the 1950s took breaks for the combatants to visit convenient girlfriends or nurses, even if only in flashbacks or daydreams. Working from James Warner Bellah's story, Sam Rolfe concocts an unlikely situation: amid the chaos of a massive Red advance, medical aid worker Ann (Peggie Castle) barely survives a mortar hit that kills her companion, another nurse. Ann soon finds herself on a retreating tank with a small group of English and American troops. While Ann tends to a wounded soldier, British Sgt. David Kensemmit (Richard Stapley) and the American Lt. Tom Flagler (Richard Conte) argue military tactics, and also compete for Ann's attention. A dangerous minefield and occasional attacks by North Koreans keep everyone on edge as the group makes its way to a larger unit called Easy Company. Despite the harsh conditions, Ann and Tom have time for romance; and she discusses the nature of command with the experienced Sgt. Vince Gaspari (Charles Bronson). Before they're relieved the impromptu unit is pulled into a major battle. Tom calls for air support and some of the combat is hand-to-hand. Target Zero had been in the works at Warner Bros. for a full three years. Director Harmon Jones was previously a top editor for 20th Fox. He downplays the battlefield heroics, but the Colorado and Arizona locations are almost too attractive to match the cold and barren Korean mountain country. The requirement for a romantic subplot also undercuts the realism, as the mussed-but-ravishing Peggie Castle engages in plenty of private love-talk with the star Richard Conte. She even gets to wear a regulation tight sweater. It's not easy to lead a desperate mission with a one's girlfriend in tow. The small cast features a number of future favorites: Charles Bronson, Strother Martin, L.Q. Jones, John Alderson and Chuck Connors fill out key roles in the squad. Variety liked Richard Conte's performance and thought that starlet Peggie Castle's performance was her best to date. Also noted was the abundant military cooperation, especially a squadron of jets for the big battle scene. But overall they found the story unbelievable. Alternating between comic-book quips and philosophical sweet-talk, the overly elaborate dialogue reminds us that War is Hell - with frequent breaks for passionate kisses.
By Glenn Erickson
Target Zero
Brief Synopsis
International soldiers fight to ignore their differences while holding a hill during the Korean War.
Cast & Crew
Read More
Harmon Jones
Director
Richard Conte
Lt. Tom Flagler
Peggie Castle
Ann Galloway
Charles Bronson
Sgt. Vince Gaspari
Richard Stapley
Sgt. David Kemsemmit
L. Q. Jones
Pvt. Felix O'Hara
Film Details
Genre
War
Adventure
Drama
Release Date
Dec
10,
1955
Premiere Information
New York opening: 15 Nov 1955
Production Company
Warner Bros. Pictures, Inc.
Distribution Company
Warner Bros. Pictures, Inc.
Country
United States
Location
Colorado Springs, Colorado, United States; Ft. Carson, Colorado, United States; Arizona, United States
Technical Specs
Duration
1h 32m
Sound
Mono (RCA Sound System)
Color
Black and White
Synopsis
In 1952, in Korea, United Nations relief workers Ann Galloway and her assistant Sue are near the front line after administering medicine to South Korean refugees. When their jeep is hit by gunfire, Sue is killed and Ann rendered unconscious. Five hours later, Ann awakens and learns from rescuing British tank crewmen that Communists now control the area. After taking Ann inside the tank, the three-member crew, led by Sgt. David Kemsemmit, drives south to reunite with their troops. Soon they are met by a remnant of an American patrol led by Lt. Tom Flagler. Tom is trying to rendezvous with his Easy Company at a ridge farther north. David, despite his unexplained antagonism toward Tom and his reluctance to move farther into enemy territory, decides to merge his men with Tom's patrol, because they will be safer together. Ann, who majored in biochemistry, is put in charge of nursing Pvt. Dan O'Hirons, a seriously wounded man in Tom's patrol. As they travel, Ann watches Tom, intrigued at how he knows each man personally, and Tom confides to her that he must be able to gauge how each man will react under pressure. Later, two mortarmen, survivors of a slaughtered unit, join the group. After a small victory in a skirmish against North Koreans, Tom resumes the group's trek to the ridge. Although most of the men doubt that Easy Company is there, they follow him, and Sgt. Vince Gaspari, a professional soldier and family man, explains to Ann that Tom's instincts are rarely wrong. While crossing a plain, an explosion injuring one of the men alerts them that mines have been planted, so David volunteers to drive the tank across. As the tank sets off the explosives on its path, Ann and the men follow, stepping in the tire tracks. After safely traversing the minefield, the soldiers encounter a shrine, where a South Korean under Tom's command, stops to pray. While the others wait, David expresses his admiration to Ann and explains that he dislikes American soldiers, because one mistreated his sister during World War II. When Tom compliments Ann for the way she has conducted herself, he elicits her loyalty, but David jealously points out that Tom said what she wanted to hear. Later, Ann suggests to Gaspari that Tom thinks of people as tools to manipulate, but Gaspari responds that Tom keeps them alive. In the distance, a convoy of North Koreans is moving toward them, so Tom organizes an ambush, in which they hijack the trucks to appropriate gas for their tank. When a captured North Korean kills two Americans while attempting to escape, a fight ensues, during which he is crushed by the tank and his comrades shot. That evening, at the base of the mountain where Easy Company was last seen, Ann approaches Tom and accuses him of valuing people only for the job they do. Admitting that there is nothing beyond that, he aggressively kisses her. Ann stops Tom, and then stops David from fighting, forbidding him to use her as an excuse for his personal contention. The British crewmen also urge David to be rid of his bigotry and Gaspari advises Ann that Tom is someone who cannot love anything that loves him back. Meanwhile, Tom leads two men to the top of the ridge and discovers that the Easy Company has been massacred. Because his life has been centered around the company, Tom's morale is broken, but Ann suggests that he needs someone to love and explains why she is attracted to him. When a working phone line is discovered on the ridge, Tom contacts the colonel of an American command post, who orders that they hold the fort, until American troops, who have forced the Communists to retreat, show up. As Tom's men prepare to defend themselves, Ann reports that O'Hirons has died. Tom comforts Ann and professes that their feelings for each other are lasting and real. Then, Tom moves through the foxholes, talking to each man, and makes peace with David. In the valley, Air Force planes strafe enemy soldiers heading northward and a Navy ship fifteen miles away sends missiles to coordinates telephoned by Tom. The bombings are getting too close to Tom's group, when the telephone line goes dead, but Tom manages to repair the line in time to redirect the missiles. North Koreans flee up the hill, but Tom's men defeat them In hand-to-hand combat. Later, after the area is safe from the North Koreans, David, Gaspari and the rest of the men watch Tom with Ann and comment "a man stays alive so he can find things to live for."
Director
Harmon Jones
Director
Cast
Richard Conte
Lt. Tom Flagler
Peggie Castle
Ann Galloway
Charles Bronson
Sgt. Vince Gaspari
Richard Stapley
Sgt. David Kemsemmit
L. Q. Jones
Pvt. Felix O'Hara
Chuck Connors
Pvt. Moose
John Alderson
Corp. Devon Enoch
Terence De Marney
Pvt. Harry Fortenoy
John Dennis
Pfc. George
Angela Loo
Sue
Aaron Spelling
Pfc. Strangler
Don Oreck
Pvt. Stacey Della Nueva
Abel Fernández
Pvt. Geronimo
Strother Martin
Pvt. Dan O'Hirons
Richard Park
Pvt. Ma Koo Sung
George Chan
Priest
Joby Baker
Private
Leo Kuter
Colonel
Hal Sheiner
Naval officer
Crew
Michael Audley
Dial Supervisor
Gordon Bau
Makeup Artist
James Warner Bellah
Story
G. W. Berntsen
Set Decoration
David Buttolph
Music
Edwin Dupar
Director of Photography
Louis Farkas
Powderman
Oren Haglund
Assistant Director
Leslie G. Hewitt
Sound
Clarence Kolster
Film Editor
Leo K. Kuter
Art Director
Royal Lowe
Powderman
Moss Mabry
Wardrobe
Maurice De Packh
Orchestration
Major John R. Rawlings
Technical Advisor
Sam Rolfe
Screenwriter
David Weisbart
Producer
Paul Zook
Truck driver
Film Details
Genre
War
Adventure
Drama
Release Date
Dec
10,
1955
Premiere Information
New York opening: 15 Nov 1955
Production Company
Warner Bros. Pictures, Inc.
Distribution Company
Warner Bros. Pictures, Inc.
Country
United States
Location
Colorado Springs, Colorado, United States; Ft. Carson, Colorado, United States; Arizona, United States
Technical Specs
Duration
1h 32m
Sound
Mono (RCA Sound System)
Color
Black and White
Articles
Target Zero
By Glenn Erickson
Target Zero
The combat thriller Target Zero (1955) ignores the specifics of the Korean War to inject a romance into its desperate battlefield action. Because studio marketers determined that women made most movie-going decisions, even the biggest war movies of the 1950s took breaks for the combatants to visit convenient girlfriends or nurses, even if only in flashbacks or daydreams. Working from James Warner Bellah's story, Sam Rolfe concocts an unlikely situation: amid the chaos of a massive Red advance, medical aid worker Ann (Peggie Castle) barely survives a mortar hit that kills her companion, another nurse. Ann soon finds herself on a retreating tank with a small group of English and American troops. While Ann tends to a wounded soldier, British Sgt. David Kensemmit (Richard Stapley) and the American Lt. Tom Flagler (Richard Conte) argue military tactics, and also compete for Ann's attention. A dangerous minefield and occasional attacks by North Koreans keep everyone on edge as the group makes its way to a larger unit called Easy Company. Despite the harsh conditions, Ann and Tom have time for romance; and she discusses the nature of command with the experienced Sgt. Vince Gaspari (Charles Bronson). Before they're relieved the impromptu unit is pulled into a major battle. Tom calls for air support and some of the combat is hand-to-hand. Target Zero had been in the works at Warner Bros. for a full three years. Director Harmon Jones was previously a top editor for 20th Fox. He downplays the battlefield heroics, but the Colorado and Arizona locations are almost too attractive to match the cold and barren Korean mountain country. The requirement for a romantic subplot also undercuts the realism, as the mussed-but-ravishing Peggie Castle engages in plenty of private love-talk with the star Richard Conte. She even gets to wear a regulation tight sweater. It's not easy to lead a desperate mission with a one's girlfriend in tow. The small cast features a number of future favorites: Charles Bronson, Strother Martin, L.Q. Jones, John Alderson and Chuck Connors fill out key roles in the squad. Variety liked Richard Conte's performance and thought that starlet Peggie Castle's performance was her best to date. Also noted was the abundant military cooperation, especially a squadron of jets for the big battle scene. But overall they found the story unbelievable. Alternating between comic-book quips and philosophical sweet-talk, the overly elaborate dialogue reminds us that War is Hell - with frequent breaks for passionate kisses.
By Glenn Erickson
TCM Remembers Charles Bronson - Sept. 13th - TCM Remembers Charles Bronson this Saturday, Sept. 13th 2003.
Turner Classic Movies will honor the passing of Hollywood action star Charles Bronson on Saturday, Sept. 13, with a four-film tribute.
After years of playing supporting roles in numerous Western, action and war films, including THE MAGNIFICENT SEVEN (1960, 8 p.m.) and THE DIRTY DOZEN (1967, 1:15 a.m.), Bronson finally achieved worldwide stardom as a leading man during the late 1960s and early 1970s. TCM's tribute will also include THE GREAT ESCAPE (1963, 10:15 p.m.), Bronson's second teaming with Steve McQueen and James Coburn, and will conclude with FROM NOON TILL THREE (1976, 4 a.m.), co-starring Jill Ireland. TCM will alter it's prime-time schedule this Saturday, Sept. 13th. The following changes will take place: 8:00 PM - The Magnificent Seven (1960)10:15 PM - The Great Escape (1963)
1:15 AM - The Dirty Dozen (1967)
4:00 AM - From Noon Till Three (1976) Charles Bronson, 1921-2003
Charles Bronson, the tough, stony-faced actor who was one of the most recognizable action heroes in cinema, died on August 30 in Los Angeles from complications from pneumonia. He was 81.
He was born Charles Buchinsky on November 3, 1921 in Ehrenfeld, Pennsylvania, one of fifteen children born to Lithuanian immigrant parents. Although he was the only child to have graduated high school, he worked in the coalmines to support his family until he joined the army to serve as a tail gunner during World War II. He used his money from the G.I. Bill to study art in Philadelphia, but while working as a set designer for a Philadelphia theater troupe, he landed a few small roles in some productions and immediately found acting to be the craft for him.
Bronson took his new career turn seriously, moved to California, and enrolled for acting classes at The Pasadena Playhouse. An instructor there recommended him to director Henry Hathaway for a movie role and the result was his debut in Hathaway's You're in the Navy Now (1951). He secured more bit parts in films like John Sturges' drama The People Against O'Hara (1951), and Joseph Newman's Bloodhounds of Broadway (1952). More substantial roles came in George Cukor's Pat and Mike (1952, where he is beaten up by Katharine Hepburn!); Andre de Toth's classic 3-D thriller House of Wax (1953, as Vincent Price's mute assistant, Igor); and De Toth's fine low-budget noir Crime Wave (1954).
Despite his formidable presence, his leads were confined to a string of B pictures like Gene Fowler's Gang War; and Roger Corman's tight Machine Gun Kelly (both 1958). Following his own television series, Man With a Camera (1958-60), Bronson had his first taste of film stardom when director Sturges casted him as Bernardo, one of the The Magnificent Seven (1960). Bronson displayed a powerful charisma, comfortably holding his own in a high-powered cast that included Yul Brynner and Steve McQueen. A few more solid roles followed in Sturges' The Great Escape (1963), and Robert Aldrich's classic war picture The Dirty Dozen (1967), before Bronson made the decision to follow the European trail of other American actors like Clint Eastwood and Lee Van Cleef. It was there that his hard, taciturn screen personae exploded in full force. In 1968 alone, he had four hit films: Henri Verneuil's Guns for San Sebastian, Buzz Kulik's Villa Rides, Jean Herman's Adieu l'ami which was a smash in France; and the classic Sergio Leone spaghetti Western Once Upon a Time in the West.
These films established Bronson as a huge box-office draw in Europe, and with some more stylish hits like Rene Clement's Rider on the Rain (1969), and Terence Young's Cold Sweat (1971) he soon became one of the most popular film stars in the world. It wasn't easy for Bronson to translate that success back in his homeland. In fact, his first few films on his return stateside: Michael Winners' Chato's Land, and The Mechanic (both 1972), and Richard Fleischer's Mr. Majestyk (1973), were surprisingly routine pictures. It wasn't until he collaborated with Winner again for the controversial Death Wish (1974), an urban revenge thriller about an architect who turns vigilante when his wife and daughter are raped, did he notch his first stateside hit. The next few years would be a fruitful period for Bronson as he rode on a wave of fine films and commercial success: a depression era streetfighter in Walter Hill's terrific, if underrated Hard Times (1975); Frank Gilroy's charming offbeat black comedy From Noon Till Three (1976, the best of many teamings with his second wife, Jill Ireland); Tom Gries tense Breakheart Pass; and Don Siegel's cold-war thriller Telefon (1977).
Sadly, Bronson could not keep up the momentum of good movies, and by the '80s he was starring in a string of forgettable films like Ten to Midnight (1983), The Evil That Men Do (1984), and Murphy's Law (1986, all directed by J. Lee Thompson). A notable exception to all that tripe was John Mackenzie's fine telefilm Act of Vengeance (1986), where he earned critical acclaim in the role of United Mine Workers official Jack Yablonski. Although he more or less fell into semi-retirement in the '90s, his performances in Sean Penn's The Indian Runner (1991); and the title role of Michael Anderson's The Sea Wolf (1993) proved to many that Bronson had the makings of a fine character actor. He was married to actress Jill Ireland from 1968 until her death from breast cancer in 1990. He is survived by his third wife Kim Weeks, six children, and two grandchildren.
by Michael T. Toole
TCM Remembers Charles Bronson - Sept. 13th - TCM Remembers Charles Bronson this Saturday, Sept. 13th 2003.
Turner Classic Movies will honor the passing of Hollywood action star Charles Bronson on Saturday, Sept. 13, with a four-film tribute.
After years of playing supporting roles in numerous Western, action and war films, including THE MAGNIFICENT SEVEN (1960, 8 p.m.) and THE DIRTY DOZEN (1967, 1:15 a.m.), Bronson finally achieved worldwide stardom as a leading man during the late 1960s and early 1970s. TCM's tribute will also include THE GREAT ESCAPE (1963, 10:15 p.m.), Bronson's second teaming with Steve McQueen and James Coburn, and will conclude with FROM NOON TILL THREE (1976, 4 a.m.), co-starring Jill Ireland.
TCM will alter it's prime-time schedule this Saturday, Sept. 13th. The following changes will take place:
8:00 PM - The Magnificent Seven (1960)
10:15 PM - The Great Escape (1963)
1:15 AM - The Dirty Dozen (1967)
4:00 AM - From Noon Till Three (1976)
Charles Bronson, 1921-2003
Charles Bronson, the tough, stony-faced actor who was one of the most recognizable action heroes in cinema, died on August 30 in Los Angeles from complications from pneumonia. He was 81.
He was born Charles Buchinsky on November 3, 1921 in Ehrenfeld, Pennsylvania, one of fifteen children born to Lithuanian immigrant parents. Although he was the only child to have graduated high school, he worked in the coalmines to support his family until he joined the army to serve as a tail gunner during World War II. He used his money from the G.I. Bill to study art in Philadelphia, but while working as a set designer for a Philadelphia theater troupe, he landed a few small roles in some productions and immediately found acting to be the craft for him.
Bronson took his new career turn seriously, moved to California, and enrolled for acting classes at The Pasadena Playhouse. An instructor there recommended him to director Henry Hathaway for a movie role and the result was his debut in Hathaway's You're in the Navy Now (1951). He secured more bit parts in films like John Sturges' drama The People Against O'Hara (1951), and Joseph Newman's Bloodhounds of Broadway (1952). More substantial roles came in George Cukor's Pat and Mike (1952, where he is beaten up by Katharine Hepburn!); Andre de Toth's classic 3-D thriller House of Wax (1953, as Vincent Price's mute assistant, Igor); and De Toth's fine low-budget noir Crime Wave (1954).
Despite his formidable presence, his leads were confined to a string of B pictures like Gene Fowler's Gang War; and Roger Corman's tight Machine Gun Kelly (both 1958). Following his own television series, Man With a Camera (1958-60), Bronson had his first taste of film stardom when director Sturges casted him as Bernardo, one of the The Magnificent Seven (1960). Bronson displayed a powerful charisma, comfortably holding his own in a high-powered cast that included Yul Brynner and Steve McQueen. A few more solid roles followed in Sturges' The Great Escape (1963), and Robert Aldrich's classic war picture The Dirty Dozen (1967), before Bronson made the decision to follow the European trail of other American actors like Clint Eastwood and Lee Van Cleef. It was there that his hard, taciturn screen personae exploded in full force. In 1968 alone, he had four hit films: Henri Verneuil's Guns for San Sebastian, Buzz Kulik's Villa Rides, Jean Herman's Adieu l'ami which was a smash in France; and the classic Sergio Leone spaghetti Western Once Upon a Time in the West.
These films established Bronson as a huge box-office draw in Europe, and with some more stylish hits like Rene Clement's Rider on the Rain (1969), and Terence Young's Cold Sweat (1971) he soon became one of the most popular film stars in the world. It wasn't easy for Bronson to translate that success back in his homeland. In fact, his first few films on his return stateside: Michael Winners' Chato's Land, and The Mechanic (both 1972), and Richard Fleischer's Mr. Majestyk (1973), were surprisingly routine pictures. It wasn't until he collaborated with Winner again for the controversial Death Wish (1974), an urban revenge thriller about an architect who turns vigilante when his wife and daughter are raped, did he notch his first stateside hit. The next few years would be a fruitful period for Bronson as he rode on a wave of fine films and commercial success: a depression era streetfighter in Walter Hill's terrific, if underrated Hard Times (1975); Frank Gilroy's charming offbeat black comedy From Noon Till Three (1976, the best of many teamings with his second wife, Jill Ireland); Tom Gries tense Breakheart Pass; and Don Siegel's cold-war thriller Telefon (1977).
Sadly, Bronson could not keep up the momentum of good movies, and by the '80s he was starring in a string of forgettable films like Ten to Midnight (1983), The Evil That Men Do (1984), and Murphy's Law (1986, all directed by J. Lee Thompson). A notable exception to all that tripe was John Mackenzie's fine telefilm Act of Vengeance (1986), where he earned critical acclaim in the role of United Mine Workers official Jack Yablonski. Although he more or less fell into semi-retirement in the '90s, his performances in Sean Penn's The Indian Runner (1991); and the title role of Michael Anderson's The Sea Wolf (1993) proved to many that Bronson had the makings of a fine character actor. He was married to actress Jill Ireland from 1968 until her death from breast cancer in 1990. He is survived by his third wife Kim Weeks, six children, and two grandchildren.
by Michael T. Toole
Quotes
Trivia
Notes
Before the opening credits, there is a montage, accompanied by a voice-over narration that discusses how the battle lines changed frequently during the Korean War and introduces all the main male characters. The film ends with a written acknowledgment to "the officers and men of Ft. Carson, Colorado, and the Colorado Air National Guard" for their assistance in making the picture possible. A July 1951 Hollywood Reporter news item announcing Warner Bros.' purchase of the property stated that Robert Sisk was originally slated to produce the film. Although the Hollywood Reporter review states that the film was shot entirely on location at Ft. Carson, CO, Hollywood Reporter news items and the first Hollywood Reporter production chart also mention Arizona and Colorado Springs as shooting sites for the film.
Reviews and the CBCS list the names of characters played by Don Oreck and L. Q. Jones as "Stacey Zorbados" and "Felix Zimbalist" but in the film, the characters are called "Stacey Della Nueva" and "Felix O'Hara," respectively. Target Zero was the first film in which Jones was billed under that name. Jones had previously appeared onscreen under his real name, Justus E. McQueen, in the 1955 Warner Bros. release Battle Cry. The actor played a character named "L. Q. Jones" in that film, and subsequently assumed his character's name as his stage name.
According to an October 1954 Hollywood Reporter news item, powdermen Royal Lowe and Louis Farkas were killed, and truck driver Paul Zook was critically injured, during an explosion at Colorado Springs when, after completing location shooting, explosives blew up while being loaded onto a truck.
Miscellaneous Notes
Released in United States Winter December 1955
Released in United States Winter December 1955