Coquette


1h 16m 1929
Coquette

Brief Synopsis

A Southern belle's flirtation with a working man leads to tragedy.

Film Details

Genre
Drama
Adaptation
Release Date
Apr 12, 1929
Premiere Information
not available
Production Company
Pickford Corp.
Distribution Company
United Artists
Country
United States
Screenplay Information
Based on the play Coquette; a Play in Three Acts by George Abbott, Anne P. Bridgers (New York, 1928).

Technical Specs

Duration
1h 16m
Sound
Mono (MovieTone)
Color
Black and White
Film Length
6,993ft (9 reels)

Synopsis

Norma Besant, a heartless belle of a southern town, falls in love with Michael Jeffrey, a crude and prideful mountaineer. Her father, a physician, is so displeased that he refuses to allow them to marry, orders Jeffrey out of his house, and, half-crazed, shoots and kills Jeffrey to preserve his family's good name. While he is awaiting his trial Besant commits suicide in a final effort to atone to his daughter for her unhappiness.

Film Details

Genre
Drama
Adaptation
Release Date
Apr 12, 1929
Premiere Information
not available
Production Company
Pickford Corp.
Distribution Company
United Artists
Country
United States
Screenplay Information
Based on the play Coquette; a Play in Three Acts by George Abbott, Anne P. Bridgers (New York, 1928).

Technical Specs

Duration
1h 16m
Sound
Mono (MovieTone)
Color
Black and White
Film Length
6,993ft (9 reels)

Award Wins

Best Actress

1929
Mary Pickford

Articles

Coquette


In the second year that the Academy of Motion Picture Arts and Sciences gave out awards, the winner of the Best Actress trophy (it had not yet acquired the nickname "Oscar") was Mary Pickford for her performance in Coquette (1929). And therein lies the tale of the first big Academy Awards¨ controversy.

By the late 1920s, Mary Pickford was in her thirties, a producer, a smart businesswoman, and one of the most powerful people in Hollywood. But she was still "America's Sweetheart," playing young girls with her trademark golden curls. Talking pictures had proven to be more than just a fad, and shrewd as ever, Pickford realized that this was an opportunity to change her image. First, she cut off her curls into a flapper bob. Then she chose as her first talkie Coquette, a play that had been a big hit for Helen Hayes, the "First Lady of the American Theater." The role of a Southern flirt whose headstrong ways lead to tragedy was far removed from the innocent ing¿nues Pickford usually played. Mary was determined not only to re-tool her image, but "to give the performance of my career, and to give it my own way." The result was a film that was Pickford's most financially (if not artistically) successful ever.

When the Academy Awards¨ nominations for 1928-29 were announced, Mary Pickford was among them. She launched the first-ever campaign to win the award, inviting the members of the Central Board of Judges to tea at her mansion, Pickfair. It didn't hurt, either, that she was a founding member of the Academy. When Pickford won, there were whispers of favoritism. One columnist wrote: "the Academy is handing out its cups on a political or social basis." The following year, the method of selecting the winners was changed.

But there were those who thought that Pickford's victory was a career-achievement award, and therefore justified. And maybe they were right. Seventy years later, that's been a basis for many an Oscar¨ awarded since. Paul Newman for The Color of Money (1986), Helen Hayes for Airport (1970), and Don Ameche for Cocoon (1985) are just a few that come to mind.

Director/Screenwriter: Sam Taylor
Producer: Mary Pickford
Screenwriter: John Wesley Grey, Allen McnEil
Cinematographer: Karl Struss
Sets: William Cameron Menzies Music: Irving Berlin (uncredited) Editor: Barbara McLean
Cast: Mary Pickford (Norma Besant), Louise Beavers (Julia), Johnny Mack Brown (Michael Jeffery), George Irving (Robert Wentworth), William Janney (Jimmy Besant), Henry Kolker (Jasper Carter), Matt Moore (Stanley Wentworth)
BW-76m.

By Margarita Landazuri
Coquette

Coquette

In the second year that the Academy of Motion Picture Arts and Sciences gave out awards, the winner of the Best Actress trophy (it had not yet acquired the nickname "Oscar") was Mary Pickford for her performance in Coquette (1929). And therein lies the tale of the first big Academy Awards¨ controversy. By the late 1920s, Mary Pickford was in her thirties, a producer, a smart businesswoman, and one of the most powerful people in Hollywood. But she was still "America's Sweetheart," playing young girls with her trademark golden curls. Talking pictures had proven to be more than just a fad, and shrewd as ever, Pickford realized that this was an opportunity to change her image. First, she cut off her curls into a flapper bob. Then she chose as her first talkie Coquette, a play that had been a big hit for Helen Hayes, the "First Lady of the American Theater." The role of a Southern flirt whose headstrong ways lead to tragedy was far removed from the innocent ing¿nues Pickford usually played. Mary was determined not only to re-tool her image, but "to give the performance of my career, and to give it my own way." The result was a film that was Pickford's most financially (if not artistically) successful ever. When the Academy Awards¨ nominations for 1928-29 were announced, Mary Pickford was among them. She launched the first-ever campaign to win the award, inviting the members of the Central Board of Judges to tea at her mansion, Pickfair. It didn't hurt, either, that she was a founding member of the Academy. When Pickford won, there were whispers of favoritism. One columnist wrote: "the Academy is handing out its cups on a political or social basis." The following year, the method of selecting the winners was changed. But there were those who thought that Pickford's victory was a career-achievement award, and therefore justified. And maybe they were right. Seventy years later, that's been a basis for many an Oscar¨ awarded since. Paul Newman for The Color of Money (1986), Helen Hayes for Airport (1970), and Don Ameche for Cocoon (1985) are just a few that come to mind. Director/Screenwriter: Sam Taylor Producer: Mary Pickford Screenwriter: John Wesley Grey, Allen McnEil Cinematographer: Karl Struss Sets: William Cameron Menzies Music: Irving Berlin (uncredited) Editor: Barbara McLean Cast: Mary Pickford (Norma Besant), Louise Beavers (Julia), Johnny Mack Brown (Michael Jeffery), George Irving (Robert Wentworth), William Janney (Jimmy Besant), Henry Kolker (Jasper Carter), Matt Moore (Stanley Wentworth) BW-76m. By Margarita Landazuri

Quotes

Trivia

The play originally opened in New York on 8 November 1927 with Helen Hayes in the title role.

Notes

Mary Pickford won an Academy Award for her performance in this film.

Miscellaneous Notes

Released in United States 1929

Released in United States 1929