The Three Musketeers


1h 45m 1973
The Three Musketeers

Brief Synopsis

A country boy joins the famed musketeers and fights to protect the queen's name.

Film Details

Also Known As
Drie Musketiers, Queen's Diamonds, The, trois mousquetaires
MPAA Rating
Genre
Adventure
Adaptation
Comedy
Release Date
1973

Technical Specs

Duration
1h 45m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
1.66 : 1

Synopsis

The young D'Artagnan arrives in Paris with dreams of becoming a king's musketeer. He meets and quarrels with three men, Athos, Porthos, and Aramis, each of whom challenges him to a duel. D'Artagnan finds out they are musketeers and is invited to join them in their efforts to oppose Cardinal Richelieu, who wishes to increase his already considerable power over the king. D'Artagnan must also juggle affairs with the charming Constance Bonacieux and the passionate Milady De Winter, a secret agent for the cardinal.

Videos

Movie Clip

Three Musketeers, The (1973) -- (Movie Clip) Bishop To Queen Two Director Richard Lester's smooth introductions of Cardinal Richelieu (Charlton Heston), the queen (Geraldine Chaplin) and King Louis XIII (Jean-Pierre Cassel), playing lawn-chess with pooches, in The Three Musketeers,1973, from George MacDonald Fraser's screenplay.
Three Musketeers, The (1973) -- (Movie Clip) I Must Kill Your Friend Leaving his parents (Joss Ackland, Gretchen Franklin), would-be Musketeer D'Artagnan (Michael York) straight away meets Rochefort (Christopher Lee) who happens to be imparting instructions to Milady (Faye Dunaway), comedy to the forefront in Richard Lester's hit The Three Musketeers, 1973.
Three Musketeers, The (1973) -- (Movie Clip) Whenever It's Offered Lodger and musketeer-in-waiting D'Artagnan (Michael York) acquires a servant (Roy Kinnear) then lodging from Bonacieux (Spike Milligan), whose wife Constance (Raquel Welch), turns his head, in Richard Lester's The Three Musketeers, 1973.
Three Musketeers, The (1973) -- (Movie Clip) I Have A Code Having bumbled his way to Paris, wannabe musketeer D'Artagnan (Michael York) gets a quick look at Porthos (Frank Finlay), Aramis (Richard Chamberlain) and Athos, (Oliver Reed), on the way to meet their boss (Georges Wilson), early in Richard Lester's hit version of The Three Musketeers, 1973.
Three Musketeers, The (1973) -- (Movie Clip) We Are Only Three Director Richard Lester's rendering of the triple-duel scene, D'Artagnan (Michael York) meets first Athos (Oliver Reed), then Aramis (Richard Chamberlain) and Porthos (Frank Finlay), then the cardinal's guards led by Jussac (Angel del Pozo), in The Three Musketeers, 1973.
Three Musketeers, The (1973) -- (Movie Clip) Treason It May Be Already down a man, Aramis (Richard Chamberlain) and Athos (Oliver Reed) fall in an ambush, D'artagnan (Michael York) and servant (Roy Kinnear) carrying on, while in England, Milady (Faye Dunaway) has her way with regrettably fickle Buckingham (Simon Ward), in The Three Musketeers, 1973.
Three Musketeers, The (1973) -- (Movie Clip) Do You Fear Me? Neat scene probing perhaps the most interesting relationship in Richard Lester's otherwise rollicking film, Charlton Heston as Cardinal Richelieu maybe gets the better of his agent Rochefort (Christopher Lee), Spike Milligan the trampled Bonnacieux, in The Three Musketeers, 1973.

Hosted Intro

Film Details

Also Known As
Drie Musketiers, Queen's Diamonds, The, trois mousquetaires
MPAA Rating
Genre
Adventure
Adaptation
Comedy
Release Date
1973

Technical Specs

Duration
1h 45m
Sound
Mono
Color
Color (Technicolor)
Theatrical Aspect Ratio
1.66 : 1

Articles

The Three Musketeers (1973)


Every generation has its own screen adaptation of The Three Musketeers. In 1921 there was Douglas Fairbanks as D'Artagnan. In 1939 the Alexandre Dumas novel became a musical comedy starring Don Ameche and the Ritz Brothers. An all-star cast including Gene Kelly, Lana Turner, June Allyson and Van Heflin brought the tale to life in 1948. And most recently, in 1993, the brat pack made their own Musketeer movie with Charlie Sheen, Kiefer Sutherland and Chris O'Donnell. So what does the 1973 version of The Three Musketeers have to recommend it?

Comedy, for one thing. The screenplay was written by George MacDonald Fraser, who would go on to write the Bond flick, Octopussy (1983). Fraser stuck more closely to the Dumas story than many of the other screen adaptations. And his script added a dash of slapstick to the swashbuckling adventure. Director Richard Lester also brought his unique talents and sense of humor to the project as well. Lester was best known for his work on The Beatles' movie, A Hard Day's Night (1964) and for what actor Michael York called his "irreverent, freewheeling style of screen humor, a cine-cynicism." This same half-winking tone makes The Three Musketeers a lighthearted romp.

The 1973 adaptation also had an amazing array of acting talent. Playing the Musketeers were: Oliver Reed as Athos, Richard Chamberlain as Aramis, and Frank Finlay as Porthos. Add to that Michael York as D'Artagnan, the bumbling youth who wants to join the musketeers, not to mention Faye Dunaway, Raquel Welch and Charlton Heston to round out the cast.

Lester didn't let star power stop him from making stuntmen out of his actors. He liked to film rehearsals and have a camera running continuously to capture anything unscripted that might happen. Lester also shot with multiple cameras (sometimes up to five) on one take, rather than in typical single camera style. So instead of using stand-ins for the long shots and moving in for a close-up of the star, Lester would film the entire scene (from close-up to master shot) at the same time. So, stuntmen were used only when absolutely necessary. In his autobiography Accidentally on Purpose, Michael York recalls "leaping onto horses whose saddles were deliberately unfastened only to revolve instantly underneath amidst dust and prancing hooves." Such was par for the course on the set of The Three Musketeers.

Between fight scenes and duels, almost every member of the cast was injured by the time the movie wrapped. Michael York had his leg cut in one duel and almost lost an eye in another. Oliver Reed took a sword to the hand. Frank Finlay was struck in the face by a two-by-four and burned in separate fight scenes. Christopher Lee fared better than most of the cast, getting off with just a sprained knee and a pulled shoulder muscle. The women got in on the action, too. Raquel Welch and Faye Dunaway worked with trainers to make their big fight scene "as physical and brutal as Lester wanted," recalls Dunaway. The rehearsals went fine, but when Dunaway pushed Welch for real, Welch lost her footing, fell and sprained her wrist. It got so bad, that at one point, York remembers doubling for his injured stunt double. He later resorted to stuffing his script inside his clothes for protection.

Richard Lester also exploited some beautiful European locations for The Three Musketeers. More than fifty locations and one hundred sets were spread across Spain. The crew made use of small towns, like Salamanca, where the local magistrate said he collected enough fees off the film's production to feed even the poorest person in the town for a year. And they had access to several castles, such as the beautiful Arnjuez Palace, often called the Versailles of Spain. But despite the gorgeous scenery, the spring and summer weather in Spain was grueling because of the heat. On one day of shooting at Arnjuez (the scene where D'Artagnan is inducted into the Musketeers), the temperature reached 122 degrees Fahrenheit. A reported 7000 bottles of water were said to be consumed by the large cast and crew necessary for the elaborate scene. The sets for The Three Musketeers were also closed and the European press didn't like it one bit. But Lester was concerned about having his ideas stolen as four other adaptations of the Dumas classic were also in production at the time (two Italian, one French and one animated).

He needn't have worried because his version of The Three Musketeers is non-stop fun and it has a great back-story. It turns out that Lester shot two pictures for the price of one. The cast knew nothing about a planned 1975 sequel called The Four Musketeers. The first time they became aware of the follow up film was at a preview screening of The Three Musketeers. During the closing credits, a trailer for The Four Musketeers appeared. And to all the actors' surprise, the trailer boasted that it would feature the entire original cast, supposedly from extra footage. Of course this caused an uproar from the actors, all of whom felt they'd been cheated and paid for one film instead of two. They threatened to sue. Their legal action, along with Lester's need to fill in some gaps with new Musketeers footage, won the cast additional pay. Still, it wasn't as much as if they'd been paid for two separate pictures. In his defense, Lester maintained his innocence, saying that he'd never intended to make two movies, but that in the editing process he realized that he'd shot too much film. So instead of cutting it down and losing so many great scenes, he decided he'd rather chop the footage in half and make two films. It's quite possible that it happened just this way. But, as Dunaway says, Lester's explanation was highly suspect.

Producer: Michael Alexander, Alexander Salkind, Ilya Salkind, Pierre Spengler
Director: Richard Lester
Screenplay: George MacDonald Fraser, based on the novel by Alexandre Dumas
Production Design: Brian Eatwell
Cinematography: David Watkin
Costume Design: Yvonne Blake, Ron Talsky
Film Editing: John Victor-Smith
Original Music: Michel Legrand
Principal Cast: Oliver Reed (Athos), Charlton Heston (Cardinal Richelieu), Raquel Welch (Constance), Faye Dunaway (Milady), Richard Chamberlain (Aramis), Frank Finlay (Porthos), Michael York (D'Artagnan), Christopher Lee (Rochefort), Geraldine Chaplin (Anna of Austria), Jean-Pierre Cassel (Louis XIII), Spike Milligan (M. Bonancieux), Roy Kinnear (Planchet), Simon Ward (Duke of Buckingham), Joss Ackland (D'Artagnan's Father), Sybil Danning (Eugenie).
C-107m. Letterboxed. Closed captioning.

by Stephanie Thames
The Three Musketeers (1973)

The Three Musketeers (1973)

Every generation has its own screen adaptation of The Three Musketeers. In 1921 there was Douglas Fairbanks as D'Artagnan. In 1939 the Alexandre Dumas novel became a musical comedy starring Don Ameche and the Ritz Brothers. An all-star cast including Gene Kelly, Lana Turner, June Allyson and Van Heflin brought the tale to life in 1948. And most recently, in 1993, the brat pack made their own Musketeer movie with Charlie Sheen, Kiefer Sutherland and Chris O'Donnell. So what does the 1973 version of The Three Musketeers have to recommend it? Comedy, for one thing. The screenplay was written by George MacDonald Fraser, who would go on to write the Bond flick, Octopussy (1983). Fraser stuck more closely to the Dumas story than many of the other screen adaptations. And his script added a dash of slapstick to the swashbuckling adventure. Director Richard Lester also brought his unique talents and sense of humor to the project as well. Lester was best known for his work on The Beatles' movie, A Hard Day's Night (1964) and for what actor Michael York called his "irreverent, freewheeling style of screen humor, a cine-cynicism." This same half-winking tone makes The Three Musketeers a lighthearted romp. The 1973 adaptation also had an amazing array of acting talent. Playing the Musketeers were: Oliver Reed as Athos, Richard Chamberlain as Aramis, and Frank Finlay as Porthos. Add to that Michael York as D'Artagnan, the bumbling youth who wants to join the musketeers, not to mention Faye Dunaway, Raquel Welch and Charlton Heston to round out the cast. Lester didn't let star power stop him from making stuntmen out of his actors. He liked to film rehearsals and have a camera running continuously to capture anything unscripted that might happen. Lester also shot with multiple cameras (sometimes up to five) on one take, rather than in typical single camera style. So instead of using stand-ins for the long shots and moving in for a close-up of the star, Lester would film the entire scene (from close-up to master shot) at the same time. So, stuntmen were used only when absolutely necessary. In his autobiography Accidentally on Purpose, Michael York recalls "leaping onto horses whose saddles were deliberately unfastened only to revolve instantly underneath amidst dust and prancing hooves." Such was par for the course on the set of The Three Musketeers. Between fight scenes and duels, almost every member of the cast was injured by the time the movie wrapped. Michael York had his leg cut in one duel and almost lost an eye in another. Oliver Reed took a sword to the hand. Frank Finlay was struck in the face by a two-by-four and burned in separate fight scenes. Christopher Lee fared better than most of the cast, getting off with just a sprained knee and a pulled shoulder muscle. The women got in on the action, too. Raquel Welch and Faye Dunaway worked with trainers to make their big fight scene "as physical and brutal as Lester wanted," recalls Dunaway. The rehearsals went fine, but when Dunaway pushed Welch for real, Welch lost her footing, fell and sprained her wrist. It got so bad, that at one point, York remembers doubling for his injured stunt double. He later resorted to stuffing his script inside his clothes for protection. Richard Lester also exploited some beautiful European locations for The Three Musketeers. More than fifty locations and one hundred sets were spread across Spain. The crew made use of small towns, like Salamanca, where the local magistrate said he collected enough fees off the film's production to feed even the poorest person in the town for a year. And they had access to several castles, such as the beautiful Arnjuez Palace, often called the Versailles of Spain. But despite the gorgeous scenery, the spring and summer weather in Spain was grueling because of the heat. On one day of shooting at Arnjuez (the scene where D'Artagnan is inducted into the Musketeers), the temperature reached 122 degrees Fahrenheit. A reported 7000 bottles of water were said to be consumed by the large cast and crew necessary for the elaborate scene. The sets for The Three Musketeers were also closed and the European press didn't like it one bit. But Lester was concerned about having his ideas stolen as four other adaptations of the Dumas classic were also in production at the time (two Italian, one French and one animated). He needn't have worried because his version of The Three Musketeers is non-stop fun and it has a great back-story. It turns out that Lester shot two pictures for the price of one. The cast knew nothing about a planned 1975 sequel called The Four Musketeers. The first time they became aware of the follow up film was at a preview screening of The Three Musketeers. During the closing credits, a trailer for The Four Musketeers appeared. And to all the actors' surprise, the trailer boasted that it would feature the entire original cast, supposedly from extra footage. Of course this caused an uproar from the actors, all of whom felt they'd been cheated and paid for one film instead of two. They threatened to sue. Their legal action, along with Lester's need to fill in some gaps with new Musketeers footage, won the cast additional pay. Still, it wasn't as much as if they'd been paid for two separate pictures. In his defense, Lester maintained his innocence, saying that he'd never intended to make two movies, but that in the editing process he realized that he'd shot too much film. So instead of cutting it down and losing so many great scenes, he decided he'd rather chop the footage in half and make two films. It's quite possible that it happened just this way. But, as Dunaway says, Lester's explanation was highly suspect. Producer: Michael Alexander, Alexander Salkind, Ilya Salkind, Pierre Spengler Director: Richard Lester Screenplay: George MacDonald Fraser, based on the novel by Alexandre Dumas Production Design: Brian Eatwell Cinematography: David Watkin Costume Design: Yvonne Blake, Ron Talsky Film Editing: John Victor-Smith Original Music: Michel Legrand Principal Cast: Oliver Reed (Athos), Charlton Heston (Cardinal Richelieu), Raquel Welch (Constance), Faye Dunaway (Milady), Richard Chamberlain (Aramis), Frank Finlay (Porthos), Michael York (D'Artagnan), Christopher Lee (Rochefort), Geraldine Chaplin (Anna of Austria), Jean-Pierre Cassel (Louis XIII), Spike Milligan (M. Bonancieux), Roy Kinnear (Planchet), Simon Ward (Duke of Buckingham), Joss Ackland (D'Artagnan's Father), Sybil Danning (Eugenie). C-107m. Letterboxed. Closed captioning. by Stephanie Thames

Quotes

This pass is for one person.
- Sea Captain
I am only one person. He is a servant.
- D'Artagnan
Who is the man that accuses you?
- Officer at the Bastille
That's him! That's the man!
- Bonacieux
Take him away.
- Count Rochefort
That's not the man!
- Bonacieux
Thank you for your assistance, gentlemen.
- Buckingham
Who was that fellow we saved?
- Porthos
I don't know; but he sounded a bit foreign, did he not?
- Athos
I must go to bed now.
- Constance
Bed? That's the best place for you, bed.
- D'Artagnan

Trivia

Shot at the same time as Four Musketeers, The (1974), and resulted in a lawsuit. See Four Musketeers, The (1974).

Originally conceived as a Beatles vehicle by veteran Beatle director Richard Lester.

Jean-Pierre Cassel's (Louis XIII) voice is overdubbed by Richard Briers.

The Duke of Buckingham's billiard room and the long hall behind it at his English estate is a leftover set from Patton (1970), it is also seen in Four Musketeers, The (1974), where Milady and Buckingham speak about American Indians and also serves as a set of rooms in _Return Of The Musketeers, The (1989)_ for a different character in France some 10 years after the action of the first two films. Also, the gown worn by Faye Dunaway during the Ball sequence at the end, is also the main gown worn by Jenny Agutter in _Man In The Iron Mask, The (1977)_ .

Miscellaneous Notes

Released in United States 1973

Released in United States 1974

Released in United States 1973

Released in United States 1974 (Shown at FILMEX: Los Angeles International Film Exposition (Opening Night) March 28 - April 9, 1974)