Assignment in Brittany


1h 36m 1943
Assignment in Brittany

Brief Synopsis

A French Resistance fighter discovers he's a dead ringer for a Nazi official.

Film Details

Genre
Drama
Adventure
Spy
Release Date
Apr 1943
Premiere Information
New York opening: week of 21 Apr 1943
Production Company
Metro-Goldwyn-Mayer Corp.
Distribution Company
Loew's Inc.
Country
United States
Screenplay Information
Based on the novel Assignment in Brittany by Helen MacInnes (Boston, 1942).

Technical Specs

Duration
1h 36m
Sound
Mono (Western Electric Sound System)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
8,609ft (10 reels)

Synopsis

Immediately upon completing a dangerous spy mission in Northern Africa, Captain Pierre Metard is ordered back to the "Free French" headquarters in London. There, Metard learns that his next assignment is to impersonate Bertrand Corlay, a writer and suspected Nazi collaborator whom he greatly resembles. Metard learns many details about the wounded, hospitalized Corlay and even has a replica of Corlay's birthmark imprinted on his back. Once his education is complete, Metard, whose mission is to discover the exact location of a German submarine base near Corlay's home, parachutes into a field near Corlay's farm and is accosted by two escaped British soldiers. Metard soon convinces the escapees of his loyalties and directs them to Louis Basdevant, his contact in nearby St. Lunaire. When Metard arrives at the Corlay farm, he is coolly greeted by Corlay's disapproving mother Henrietta. Metard then reunites with Corlay's fiancée, Anne Pinot. Although Anne appears happy to see Metard, whom she believes to be Corlay, she tells him that she cannot marry him because of a past infidelity. Confused, Metard heads for the local inn and discovers that Corlay was having an affair with Elise, a seductive Nazi collaborator. Jean Kerenor, a disabled schoolteacher, is deeply in love with Elise and accuses Metard, as Corlay, of being pompous and vicious. After Metard agrees to meet the unsuspecting Elise at a ruined castle, Nazi soldiers burst into the Corlay farm, demanding accommodations. When Metard identifies himself as Corlay, however, the commanding officer suddenly changes his mind and departs. Afterward, Mme. Corlay reveals to Metard that she is aware of his impersonation, but assures him that she will not betray him, as she is ashamed of her son's Nazi affliations. At the castle, Elise confirms that she is a Nazi collaborator and tells Metard that the submarine base is in St. Lunaire. As Metard is walking back to the Corlay farm, he sees Anne being attacked by a German soldier and kills him. Anne is moved by Metard's bravery and lovingly forgives him. Later, however, Mme. Corlay implores Metard to "go easy" on Anne, and he agrees. Metard then heads for St. Lunaire, where he meets Louie, a fisherman. After making plans with Louie, who is also helping the English soldiers and a French resistance fighter named Rochet, Metard learns that Louie is actually a Nazi collaborator. As feared, Louie betrays Metard, Rochet and the Englishmen to some German soldiers, but Metard manages to overpower the Germans and takes Louie hostage. With his gun jammed into Louie's back, Metard and Louie meet with German Major Von Pless, who believes Metard is Louie's cousin. Before Metard can secure safe passage, however, Von Pless discovers his ruse and orders his arrest. Once again, Metard outmaneuvers the enemy and escapes by diving into the bay. While he is swimming to safety, Metard sees a German submarine surface and dock under a hidden sea wall. Now aware of the base's location, Metard proceeds to Mont. St. Michel, where he relays his findings to Plehec, a restaurant owner who secretly operates a wireless for the British. Metard then returns to the Corlay farm, unaware that Elise and Capt. Holtz suspect him. Although Metard shows Holtz his birthmark, Holtz becomes convinced he is a spy when Plehec's young nephew Etienne identifies him as the man who visited Plehec. Metard is taken to jail, where he sees the tortured Plehec killed by the Nazis. Metard is also tortured and starved by Holtz, but like Plehec, refuses to reveal what he knows. With the help of Kerenor, a priest, and other sympathetic villagers, Metard escapes from Holtz's jail and hides in the catacombs of the local church. There, Anne nurses Metard and confesses that she loves him even though she now knows he is not Corlay. In turn, Metard pledges his love and vows to marry her. To Metard's surprise, Etienne then appears, explaining that his uncle had instructed him to protect the wireless at any cost. Etienne helps Metard out of the church, and Kerenor leads him safely into some woods. After Mme. Corlay bids "her son" goodbye, Metard and Etienne head for the wireless to alert the British. Kerenor, meanwhile, sees Elise, whose innocence he has always maintained, embracing Holtz in the woods and, enraged, shoots and kills him, then strangles Elise. Hearing the shot, German soldiers rush to the scene, but Mme. Corlay insists that she is Holtz's killer. Metard then relays the submarine base's location, and British commandos launch a sneak attack on St. Lunaire. Overcoming his physical handicap, Kerenor kills many Germans during the ensuing battle, but is himself killed. After British speed boats bomb the hidden base, Metard reunites with Anne on board an England-bound ship and joins her in singing "Les Marsielles."

Cast

Pierre Aumont

Captain [Pierre] Metard/Bertrand Corlay

Susan Peters

Anne Pinot

Richard Whorf

[Jean] Kerenor

Margaret Wycherly

Mme. [Henrietta] Corlay

Signe Hasso

Elise

Reginald Owen

Colonel Trane

John Emery

Captain Deichgraber

George Coulouris

Captain [Hans] Holtz

Sarah Padden

Albertine

Miles Mander

Colonel [Herman] Fournier

George Brest

Henri

Darryl Hickman

Etienne

Alan Napier

Sam Wells

Odette Myrtil

Louis' sister

Juanita Quigley

Jeannine

William Edmunds

Plehec

Adia Kuznetzoff

Louis Basdevant

Donald Stuart

Townshend

Paul Leyssac

The curé

Almira Sessions

Mme. Perro

Lionel Royce

Von Steffen

Frank Lackteen

Arab chief

Peter Lawford

Navigator

John Meredith

Pilot

Albert Morin

Arab mechanic

Alan Schute

Co-pilot

Stanley Mann

Orderly

Davis Roberts

Orderly

Constant Franke

Orderly

John Burton

Doctor

Ralph Bushman

German lieutenant

Louis Adlon

German lieutenant

Robert R. Stephenson

German lieutenant

Ferdinand Schumann-heink

German lieutenant

Major Farrell

Jacques

Louise Colombet

Marie

Rex Williams

Sergeant Krulich

Lucien Prival

Major Von Pless

John St. Polis

Old man in inn

Duke York

German private

Hans Von Morhart

German private

Paul Kruger

German private

Horace Carpenter

Yves

Harry Fleischmann

Jules

George Travell

Rochet

Dick Wessel

German sergeant

George Sherwood

German sergeant

Ray Miller

German sergeant

Nick Shaid

Sentry

Frederick Giermann

Guard

Otto Reichow

Sergeant

J. Lewis Smith

Soldier

Lisl Valetti

Peasant

Alex Papana

Peasant

Frank Arnold

Fisherman

Louis Mercier

Fisherman

Albert D'arno

German officer

John Merton

Gestapo

Frederick Brunn

Gestapo

Al Masiello

Peasant in cellar

Joseph Marievsky

Peasant in cellar

Joseph P. Mack

Peasant in cellar

Hector Sarno

Peasant in cellar

Arnold Virt

French sergeant

Leigh Sterling

French officer

Bert Hicks

French officer

Crane Whitley

Gestapo lieutenant

May Mcavoy

Nurse

Walter Bonn

German sentry

Hans Schumm

German sentry

Clive Morgan

Commando officer

Arthur Mulliner

Commando lieutenant

Charles Irwin

Commando lieutenant

Morris Ankrum

Stenger

Dave Thursby

Commando sergeant

Pat O'moore

Commando lookout

Leyland Hodgson

Commando

Bill Nind

British lieutenant

William Vaughn

German major

Guy D'ennery

Albert

George Davis

Nestor

Arthur Gould-porter

Naval officer

Leslie Denison

Naval officer

George Aldwin

Gunner

William Yetter

German

Steve Geray

Priest

Jack Norton

Drunk peasant

Film Details

Genre
Drama
Adventure
Spy
Release Date
Apr 1943
Premiere Information
New York opening: week of 21 Apr 1943
Production Company
Metro-Goldwyn-Mayer Corp.
Distribution Company
Loew's Inc.
Country
United States
Screenplay Information
Based on the novel Assignment in Brittany by Helen MacInnes (Boston, 1942).

Technical Specs

Duration
1h 36m
Sound
Mono (Western Electric Sound System)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1
Film Length
8,609ft (10 reels)

Articles

Assignment in Brittany -


Classic Hollywood's love affair with international locations acquired a political purpose during World War II, when all of the studios turned out film tributes to America's allies. For this wartime thriller, MGM turned parts of its back lot into Brittany and even cast French star Jean Pierre Aumont, in his U.S. film debut, in a dual role as a Frenchman collaborating with the Nazis and a lookalike Resistance hero who takes his place to learn the location of a secret German naval base. Aumont was one of the few French actors in the film, which filled the South of France with Englishmen, Americans and even a Swiss miss. But he was very much the real thing. Like his character, Aumont had served heroically in North Africa during the war and received the Legion of Honor and the Croix de Guerre. In fact, after only one more film in Hollywood, Cross of Lorraine (1944), he returned to fight with the Free French. Even in Hollywood, he supported the war effort, appearing at special screenings of Assignment in Brittany, to help raise funds for the Resistance. Joining him in the film are Margaret Wycherly and Susan Peters as the collaborator's wife and girlfriend and Signe Hasso (in her U.S. debut) as his mistress.

By Frank Miller
Assignment In Brittany -

Assignment in Brittany -

Classic Hollywood's love affair with international locations acquired a political purpose during World War II, when all of the studios turned out film tributes to America's allies. For this wartime thriller, MGM turned parts of its back lot into Brittany and even cast French star Jean Pierre Aumont, in his U.S. film debut, in a dual role as a Frenchman collaborating with the Nazis and a lookalike Resistance hero who takes his place to learn the location of a secret German naval base. Aumont was one of the few French actors in the film, which filled the South of France with Englishmen, Americans and even a Swiss miss. But he was very much the real thing. Like his character, Aumont had served heroically in North Africa during the war and received the Legion of Honor and the Croix de Guerre. In fact, after only one more film in Hollywood, Cross of Lorraine (1944), he returned to fight with the Free French. Even in Hollywood, he supported the war effort, appearing at special screenings of Assignment in Brittany, to help raise funds for the Resistance. Joining him in the film are Margaret Wycherly and Susan Peters as the collaborator's wife and girlfriend and Signe Hasso (in her U.S. debut) as his mistress. By Frank Miller

Quotes

Trivia

Notes

The working title of this film was Fire in the Night. Helen MacInnes' novel was serialized in The Saturday Evening Post from 2 May to June 20, 1942. When M-G-M bought the screen rights in February 1942, the novel was titled Cross Channel. French screen star Pierre Aumont made his American acting debut in this film, as did Swedish actress Signe Hasso. Like the character he plays in Assignment in Brittany, Aumont fought with the Free French forces in Tunisia, Italy and France. He was awarded both the Legion of Honor and the Croix de Guerre. Hollywood Reporter news items and production charts add the following information about the production: John Carradine was announced as one of the film's stars in August 1942. In mid-October 1942, production shut down for several days due to director Jack Conway's flu. The following actors were announced as cast members: Blanche Yurka, Wolfgang Zilzer, Byron Nelson, George Ford, Vernon Rickard, Jack Lorenz, Alan Westcott, George Calliga, George Magrill, Max Lucke, Waclaw Rekwart, Alex Akimoff, Helen Giere, Cap Somers, Bob Ireland, John Peters, Bruce Carruthers, Florence Brown, Richard Carpenter, Michael Macey, Claude Payton, Art Belasco, John Phipps, Esther Fleischman and Lillian Nicholson. Their appearance in the final film has not been confirmed. In November 1942 Hollywood Reporter production charts, Ben Lewis is listed as editor instead of the credited Frank Sullivan, and Paul Groesse is listed as associate art director instead of the credited William Ferrari.