Grumpy Old Men
Brief Synopsis
Cast & Crew
Donald Petrie
Jack Lemmon
Walter Matthau
Burgess Meredith
Buck Henry
Ossie Davis
Film Details
Technical Specs
Synopsis
Jack Lemmon and Walter Matthau prove they haven't lost a step as the titular curmudgeons in this hilarious romantic comedy for the truly young at heart. The bitter bickering between these two elderly bachelors deepens when the beautiful Ann-Margaret moves into the neighborhood, shaking up both their lives. As both men vie for her attentions, the competitive nature of their friendship is brought to a whole new level. Burgess Meredith, Daryl Hannah and Kevin Pollock round out the cast of this modern comedy classic.
Director
Donald Petrie
Cast
Jack Lemmon
Walter Matthau
Burgess Meredith
Buck Henry
Ossie Davis
Daryl Hannah
Kevin Pollak
Christopher Mcdonald
Steve Cochran
Joe Howard
Isabell Monk
Buffy Sedlachek
John Carroll Lynch
Charles Brin
Ollie Osterberg
Crew
Peter Albiez
Christopher Assells
Hala Bahmet
Kevin Bartnoff
Edith Bergdahl
Eric Bergerson
Irving Berlin
Richard Berman
Felix Bernard
Susan Bierbaum
David Bifano
Patrick Blymyer
Kiim Bodner
Kimberly Boege
Keane Bonath
Brooke Brooks
R Bush
Rick Canelli
Darlene K Chan
Aryn Chapman
David Chapman
Rudy Clark
Nat King Cole
Nat King Cole
Dick Colean
Bing Crosby
Tom Dahl
John Davis
Linda Deandrea
Douglas B Dick
Michael Edwards
Webley Edwards
Victor Ennis
Russell C. Fager
Fred Fairbrass
Richard Fairbrass
Christopher M Fisher
Ella Fitzgerald
Linda Folk
Adam C Frank
Jessica Gallavan
Kent Genzlinger
Chris Gibbin
Eric Gotthelf
Ron Grafton
Dale Grahn
Clay A. Griffith
Mark Haack
Rick Hart
Shelley Hawkos
Wayne Heitman
Ellen Heuer
Chris Hogan
Brad Holmes
Michael Hoover
Sharon Howard-field
Greg Jensen
James Jensen
Johnny Jensen
Johnny Jensen
Lisa Jensen
Mark Steven Johnson
Horst Jung
Kenneth Karman
Randy Kelley
Bonnie Koehler
Dan Kolsrud
Dan Kolsrud
Hugh Langtry
Walter Legawiec
Walter Legawiec
Jack Lemmon
Jack Lemmon
Keith G Lewis
Robert J Litt
Jane Lydon
Ray Lykins
Rob Manzoli
Blaine Marcou
Frank Marocco
Pat Marshall
Tim Marshall
Tommy Marshall
Bill Mcintosh
Linda Melazzo
Lisa D Menke
Thomas R Miller
Jessica Molitor
Susan Montgomery
Dick Moran
Lonna Morgan
Wolfgang Amadeus Mozart
Trina Mrnak
Molly Muir
Peter Mullin
Thomas Newman
Gregory J Niska
Cybele O'brien
Thomas J. O'connell
Linda Olson
Ernie Orsatti
Ernie Orsatti
Jack Owens
Susan Peck
Jack E Pelissier
Ron Phillips
Michele Platt
Chris Porter
Vic Radulich
Spiro Razatos
Otis Redding
Otis Redding
Arthur Resnick
Linda R Rizzuto
Dave Robling
William Ross
Dennis Sands
Tom Sann
Kathy Sarreal
Erika Schlaeger
Dirk Schmitz
Steve Schoenberg
Rosalie Seifert
Patrick Sellers
Rick Sharp
Elizabeth Shelton
Andrew Silver
Alan Silvestri
Michael S. Singer
Dick Smith
Dick Smith
Mark D Steinbeck
Mark P. Stoeckinger
Randy Suhr
Jerry Swift
Michael Szakmeister
Cat Thompson
Elliot Tyson
Kim Waugh
Aaron M Weinberg
Doug Wise
Douglas E Wise
Frank Yankovic
Trudy Yee
Jim Zemansky
Film Details
Technical Specs
Articles
Grumpy Old Men
Supported by a stellar cast including Ann-Margret, Burgess Meredith, Ossie Davis, and Daryl Hannah, Grumpy Old Men categorically owed its runaway hit status to its two leading men. In a 1996 interview, Matthau quickly circumvented any self-congratulatory talk and declares the secret of the film's success: "Because it was about a couple of guys in the Midwest, snapping at each other, calling each other names, looking forward to that every day." For all their onscreen barbs, the duo was relaxed and fun-loving behind the scenes.
In a 2001 Larry King Live interview, Ann-Margret recalled an anecdote about the recently-deceased Matthau during the filming of Grumpy: "...it was so wonderful to see his relationship with Jack, you know. Just really concerned about each other, and I've got a picture of them and Jack doesn't know this. It's so cute. It's the sun and the snow and that goofy hat that Walter always wore and here they are in their director's chairs, and they're both taking a snooze in the sun. It's so cute."
On location in Minnesota, the film suffered a couple of mishaps during shooting. In her 1994 autobiography My Story, Ann-Margret tells of a snow ride with Lemmon gone awry: "As I drove Jack on the back of my snowmobile, I took an icy turn very fast and careened into a steel Dumpster. Worried about losing Jack, I clung to the bike as if my life depended on it. I desperately looked around for Jack. Then someone told me that he'd bailed out far back and was fine. I nursed a broken wrist for a while. But no big deal. Life goes on." Matthau, on the other hand, waited until the wrap for his misfortune; he was hospitalized with double pneumonia shortly after filming ended. He would suffer another run-in with the illness in the late 1990s before finally succumbing in July 2000. Lemmon would die just four days short of a year later; he was buried near his friend "Waltz" in Westwood Memorial Park in Los Angeles. The eternal jokester, Lemmon's headstone reads, "Jack Lemmon -- In."
Grumpy provided the two actors with not only a return to form, but a box office validation of their efforts. In the new 2006 biography, A Twist of Lemmon, son Chris Lemmon comments, "I remember seeing Pop after the success of Grumpy, and I sensed immediately that it seemed like a huge weight had been lifted off his shoulders. Not only had this movie put him and Walter back on the map, it was the first big commercial hit for Pop in a while as well, and in a profession as perilous as acting, where there are no guarantees (except, of course, that you'll probably fail), this was a blessed event, one that allowed Pop to sit back and relax a little." One imagines Matthau as more nonplussed; after all, the lifelong friends enjoyed a yin-yang acting relationship. As Grumpy producer John Davis noted, "Where Walter was irascible and funny and mean and challenging, Jack was just always laughing at Walter's jokes and being sweet and lovable." But as one of the only two true experts on the subject, Lemmon eloquently declared, "It was a very unusual relationship right off the bat, the very first day, because it clicked so totally and easily there was just nothing to it." And Matthau? No comment. After all, this is the man who wanted to be a pharmacist when he grew up.
Producer: Richard C. Berman, John Davis, Dan Kolsrud
Director: Donald Petrie
Screenplay: Mark Steven Johnson
Cinematography: Johnny E. Jensen
Film Editing: Bonnie Koehler
Art Direction: Mark Haack
Music: Irving Berlin, Felix Bernard, R. Bush, Rudy Clark, Richard Fairbrass, Rob Manzoli, Frank Marocco, Thomas Newman, Jack Owens, Arthur Resnick, Alan Silvestri, Frankie Yankovic
Cast: Jack Lemmon (John Gustafson), Walter Matthau (Max Goldman), Ann-Margret (Ariel Truax), Burgess Meredith (Grandpa Gustafson), Daryl Hannah (Melanie), Kevin Pollak (Jacob Goldman).
C-103m. Letterboxed.
by Eleanor Quin
Grumpy Old Men
Ossie Davis (1917-2005)
He was born Raiford Chatman Davis on December 18, 1917 in Cogdell, Georgia. His parents called him "R.C." When his mother registered his birth, the county clerk misunderstood her and thought she said "Ossie" instead of "R.C.," and the name stuck. He graduated high school in 1936 and was offered two scholarships: one to Savannah State College in Georgia and the other to the famed Tuskegee Institute in Alabama, but he could not afford the tuition and turned them down. He eventually saved enough money to hitchhike to Washington, D.C., where he lived with relatives while attending Howard University and studied drama.
As much as he enjoyed studying dramatics, Davis had a hunger to practice the trade professionally and in 1939, he left Howard University and headed to Harlem to work in the Rose McClendon Players, a highly respected, all-black theater ensemble in its day.
Davis' good looks and deep voice were impressive from the beginning, and he quickly joined the company and remained for three years. With the onset of World War II, Davis spent nearly four years in service, mainly as a surgical technician in an all-black Army hospital in Liberia, serving both wounded troops and local inhabitants before being transferred to Special Services to write and produce stage shows for the troops.
Back in New York in 1946, Davis debuted on Broadway in Jeb, a play about a returning black soldier who runs afoul of the Ku Klux Klan in the deep south. His co-star was Ruby Dee, an attractive leading lady who was one of the leading lights of black theater and film. Their initial romance soon developed into a lasting bond, and the two were married on December 9, 1948.
With Hollywood making much more socially conscious, adult films, particularly those that tackled themes of race (Lonely Are The Brave, Pinky, Lost Boundaries all 1949), it wasn't long before Hollywood came calling for Davis. His first film, with which he co-starred with his wife Dee, was a tense Joseph L. Mankiewicz's prison drama with strong racial overtones No Way Out (1950). He followed that up with a role as a cab driver in Henry Hathaway's Fourteen Hours (1951). Yet for the most part, Davis and Dee were primarily stage actors, and made few film appearances throughout the decade.
However, in should be noted that much of Davis time in the '50s was spent in social causes. Among them, a vocal protest against the execution of Julius and Ethel Rosenberg, and an alignment with singer and black activist Paul Robeson. Davis remained loyal to Robeson even after he was denounced by other black political, sports and show business figures for his openly communist and pro-Soviet sympathies. Such affiliation led them to suspicions in the anti-Communist witch hunts of the early '50s, but Davis, nor his wife Dee, were never openly accused of any wrongdoing.
If there was ever a decade that Ossie Davis was destined for greatness, it was undoubtly the '60s. He began with a hit Broadway show, A Raisin in the Sun in 1960, and followed that up a year later with his debut as a playwright - the satire, Purlie Victorious. In it, Davis starred as Purlie, a roustabout preacher who returns to southern Georgia with a plan to buy his former master's plantation barn and turn it into a racially integrated church.
Although not an initial success, the play would be adapted into a Tony-award winning musical, Purlie years later. Yet just as important as his stage success, was the fact that Davis' film roles became much more rich and varied: a liberal priest in John Huston's The Cardinal (1963); an unflinching tough performance as a black soldier who won't break against a sadistic sergeant's racial taunts in Sidney Lumet's searing war drama The Hill (1965); and a shrewd, evil butler who turns the tables on his employer in Rod Serling's Night Gallery (1969).
In 1970, he tried his hand at film directing, and scored a hit with Cotton Comes to Harlem (1970), a sharp urban action comedy with Godfrey Cambridge and Raymond St. Jacques as two black cops trying to stop a con artist from stealing Harlem's poor. It's generally considered the first major crossover film for the black market that was a hit with white audiences. Elsewhere, he found roles in some popular television mini-series such as King, and Roots: The Next Generation (both 1978), but for the most part, was committed to the theater.
Happily, along came Spike Lee, who revived his film career when he cast him in School Daze (1988). Davis followed that up with two more Lee films: Do the Right Thing (1989), and Jungle Fever (1991), which also co-starred his wife Dee. From there, Davis found himself in demand for senior character parts in many films throughtout the '90s: Grumpy Old Men (1993), The Client (1994), I'm Not Rappaport (1996), and HBO's remake of 12 Angry Men (1997).
Davis and Dee celebrated their 50th wedding anniversary in 1998 with the publication of a dual autobiography, In This Life Together, and in 2004, they were among the artists selected to receive the Kennedy Center Honors. Davis had been in Miami filming an independent movie called Retirement with co-stars George Segal, Rip Torn and Peter Falk.
In addition to his widow Dee, Davis is survived by three children, Nora Day, Hasna Muhammad and Guy Davis; and seven grandchildren.
by Michael T. Toole
Ossie Davis (1917-2005)
Quotes
Trivia
Miscellaneous Notes
Released in United States Winter December 25, 1993
Released in United States on Video July 6, 1994
Completed shooting April 13, 1993.
Began shooting February 2, 1993.
Released in United States Winter December 25, 1993
Released in United States on Video July 6, 1994