Guns of the Magnificent Seven


1h 46m 1969
Guns of the Magnificent Seven

Brief Synopsis

The last of the original seven assembles a new crew of experts to rescue a captive rebel leader.

Film Details

MPAA Rating
Genre
Western
Sequel
Release Date
Jan 1969
Premiere Information
Philadelphia opening: 28 May 1969
Production Company
Mirisch Productions, Inc.
Distribution Company
United Artists Corp.
Country
United States
Location
Spain

Technical Specs

Duration
1h 46m
Sound
Mono
Color
Color (DeLuxe)
Theatrical Aspect Ratio
2.35 : 1

Synopsis

In 19th-century Mexico, Federales capture Quintero, the revolutionary who has attempted to rally the many disorganized groups opposing the dictatorship of President Díaz. Before going to prison, Quintero gives his lieutenant, Maximiliano O'Leary, $600 with which to continue the cause. Bandit chief Carlos Lobero demands that the money be used for guns and ammunition, but Max instead seeks the help of the legendary Chris, an American renowned for his bravery and cunning. Chris agrees to attempt a rescue of Quintero and uses $500 of Max's money to recruit five expert marksmen: the horsethief Keno; the giant Negro, Cassie; the one-armed Slater; the tubercular P. J.; and the one family man, Levi Morgan. Riding back to Mexico with Chris, the Americans become less mercenary when they observe the brutal treatment of the peasants; their journey is also marked by their encounters with a political prisoner's little boy--Emiliano Zapata--and a pretty peasant girl, Tina, who falls in love with P. J. When Lobero learns that Max did not buy guns with the $600, he refuses to allow his men to take part in Quintero's rescue. Realizing that he needs support, Chris frees a prison gang that includes Zapata's father and trains them in military tactics. Despite their superior marksmanship, Chris's men are outnumbered and their valiant effort to free Quintero appears doomed. But, at the last moment, 50 of Lobero's bandits, having slain their leader for his lack of patriotism, thunder into the prison grounds and turn the tide of battle. Of the original seven, only Chris and Levi Morgan remain; and, before riding home, they elect to donate the $600 to the peasants' cause.

Film Details

MPAA Rating
Genre
Western
Sequel
Release Date
Jan 1969
Premiere Information
Philadelphia opening: 28 May 1969
Production Company
Mirisch Productions, Inc.
Distribution Company
United Artists Corp.
Country
United States
Location
Spain

Technical Specs

Duration
1h 46m
Sound
Mono
Color
Color (DeLuxe)
Theatrical Aspect Ratio
2.35 : 1

Articles

Guns of the Magnificent Seven


Guns of the Magnificent Seven (1969) is third in the popular series but departs from the original premise and gives it a sharp twist. This time around the mission isn't about protecting peasants from marauding bandits (first film) or scheming ranchers (second film). Instead the peasant's revolutionary leader has been captured by a sadistic military commander and stuck away in an impenetrable prison. A survivor from the original mission (George Kennedy picking up the part previously played by Yul Brynner) has to recruit a new Seven and then lead them on a near-suicidal attempt to rescue the leader. As the ads put it "The Magnificent Seven are back - and they don't aim to please."

Elmer Bernstein's score for the original The Magnificent Seven (1960) was an instant classic. A version of the theme by guitarist Al Caiola hit the Top 40 in 1961 but there were numerous others, even one done to a cha-cha rhythm! Not surprising for somebody with well over 200 film scores to his credit, Bernstein reused parts of the original music in the sequels to keep continuity among them. But you don't get to be a multiple Oscar nominee by goofing off so there's still plenty of music unique to Guns of the Magnificent Seven.

A remake of Akira Kurosawa's Seven Samurai (1954), the first Magnificent Seven had been such a huge hit that it resulted in Return of the Seven (1966) and then Guns of the Magnificent Seven. (The Magnificent Seven Ride would follow in 1972 and still later a brief TV series.) Filmed in Spain like most spaghetti Westerns, Guns of the Magnificent Seven featured none of the original actors though Fernando Rey (as Quintero) had appeared in Return as a priest. Rey's career was a long one with well over 200 films, from appearances in Mexican "B" horror films to winning a Best Actor award at Cannes for Carlos Saura's Elisa, My Life (1977). Guns of the Magnificent Seven also marked the movie debut of Bernie Casey, a former wide receiver with the San Francisco 49ers and Los Angeles Rams who would later act in about 40 other movies. The cast is filled with such now familiar faces as Joe Don Baker (Walking Tall, 1973), James Whitmore (Battleground, 1949) and Monte Markham (Baywatch, 1989-2001). Brought in to direct was Paul Wendkos, a TV veteran from The Rifleman (1958-1963) and The Wild Wild West (1965-1970), who later specialized in made-for-TV movies.

Producer: Vincent M. Fennelly
Director: Paul Wendkos
Screenplay: Herman Hoffman
Cinematography: Antonio Macasoli
Film Editing: Walter Hannemann
Original Music: Elmer Bernstein
Principal Cast: George Kennedy (Chris), James Whitmore (Levi Morgan), Monte Markham (Keno), Reni Santoni (Max), Bernie Casey (Cassie), Joe Don Baker (Slater), Michael Ansara (Colonel Diego), Frank Silvera (Lobero).
C-106m. Letterboxed.

By Lang Thompson

Guns Of The Magnificent Seven

Guns of the Magnificent Seven

Guns of the Magnificent Seven (1969) is third in the popular series but departs from the original premise and gives it a sharp twist. This time around the mission isn't about protecting peasants from marauding bandits (first film) or scheming ranchers (second film). Instead the peasant's revolutionary leader has been captured by a sadistic military commander and stuck away in an impenetrable prison. A survivor from the original mission (George Kennedy picking up the part previously played by Yul Brynner) has to recruit a new Seven and then lead them on a near-suicidal attempt to rescue the leader. As the ads put it "The Magnificent Seven are back - and they don't aim to please." Elmer Bernstein's score for the original The Magnificent Seven (1960) was an instant classic. A version of the theme by guitarist Al Caiola hit the Top 40 in 1961 but there were numerous others, even one done to a cha-cha rhythm! Not surprising for somebody with well over 200 film scores to his credit, Bernstein reused parts of the original music in the sequels to keep continuity among them. But you don't get to be a multiple Oscar nominee by goofing off so there's still plenty of music unique to Guns of the Magnificent Seven. A remake of Akira Kurosawa's Seven Samurai (1954), the first Magnificent Seven had been such a huge hit that it resulted in Return of the Seven (1966) and then Guns of the Magnificent Seven. (The Magnificent Seven Ride would follow in 1972 and still later a brief TV series.) Filmed in Spain like most spaghetti Westerns, Guns of the Magnificent Seven featured none of the original actors though Fernando Rey (as Quintero) had appeared in Return as a priest. Rey's career was a long one with well over 200 films, from appearances in Mexican "B" horror films to winning a Best Actor award at Cannes for Carlos Saura's Elisa, My Life (1977). Guns of the Magnificent Seven also marked the movie debut of Bernie Casey, a former wide receiver with the San Francisco 49ers and Los Angeles Rams who would later act in about 40 other movies. The cast is filled with such now familiar faces as Joe Don Baker (Walking Tall, 1973), James Whitmore (Battleground, 1949) and Monte Markham (Baywatch, 1989-2001). Brought in to direct was Paul Wendkos, a TV veteran from The Rifleman (1958-1963) and The Wild Wild West (1965-1970), who later specialized in made-for-TV movies. Producer: Vincent M. Fennelly Director: Paul Wendkos Screenplay: Herman Hoffman Cinematography: Antonio Macasoli Film Editing: Walter Hannemann Original Music: Elmer Bernstein Principal Cast: George Kennedy (Chris), James Whitmore (Levi Morgan), Monte Markham (Keno), Reni Santoni (Max), Bernie Casey (Cassie), Joe Don Baker (Slater), Michael Ansara (Colonel Diego), Frank Silvera (Lobero). C-106m. Letterboxed. By Lang Thompson

Quotes

Trivia

Notes

Guns of the Magnificent Seven was shot on location in Spain. The film was the third in the "Magnificent Seven" series. For additional information on the series, see the entry for The Magnificent Seven (1960).