Red Planet Mars


1h 27m 1952

Brief Synopsis

Radio broadcasts reveal Mars to be a source of religious inspiration.

Film Details

Also Known As
Miracle from Mars, Red Planet
Genre
Horror/Science-Fiction
Adaptation
Fantasy
Release Date
May 15, 1952
Premiere Information
not available
Production Company
Melaby Pictures Corp.
Distribution Company
United Artists Corp.
Country
United States
Screenplay Information
Based on the play Red Planet Mars by John L. Balderston and John Hoare (New York, 17 Dec 1932).

Technical Specs

Duration
1h 27m
Sound
Mono (RCA Sound System)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1

Synopsis

Suburban scientist Chris Cronyn and his wife Linda contact Mars with a hydrogen-powered radio transmitter created from the confiscated plans of captured Nazi criminal Franz Calder. After seeing a fellow scientist's photographs of rapidly changing weather conditions on the planet, Chris is convinced that Martians exist and are utilizing atomic power to control their environment. At home, Linda, fearing the dangers inherent in contacting a superior race, explains to Chris that every woman is frightened that her children will be sent to war, or worse. Chris dismisses her fears, arguing for the necessity of scientific progress. They transmit another message while, unknown to them, an escaped Calder works on his identical hydrogen transmitter in a laboratory hidden in the Andes. Calder is interrupted by Gaspardin Arjenian, the Kremlin official who aided his escape and now supports his research. Calder, who cares only about besting the Americans who "stole" his research and perfected it while he was in prison, reveals that he cannot contact Mars, but can spy on the Americans' Mars transmissions. Thrilled, Arjenian promises Calder continued backing. Soon after, Chris summons Admiral Bill Carey to help with his experiments. When they wonder aloud how best to elicit a response from the Martians, Chris's son Stewart suggests broadcasting the beginning of the mathematical formula for pi to see if the spacemen will finish it. They finally receive a positive response, and within hours the news of the message has spread throughout the world, engendering Mars mania. Chris's fame grows as the Martians then communicate that they live to be 300 years old and farm enough food from one acre of land to feed one thousand Martians for one year. This last fact panics the farm industries, whose stock crashes. Next, when the Martians state that they use only atomic energy, the mining and oil industries fold, and within days, the Western economy collapses as banks around the world close. In Washington, Secretary of Defense Sparks informs Bill that the lab must be moved to the capital and all messages kept top-secret. Although the Russian government has used the advance information from Calder to plan an attack on the weakened Western world, the American president refuses to start a preemptive war with Russia. He is about to order Chris and Linda to disable the transmitter when the most recent message, a response to the question of how the Martians employ such a destructive energy force without hurting one another, comes through. The Martians state that the "Supreme Leader" has declared that Earthlings were told thousands of years earlier to love goodness and hate evil, but have failed. Linda, realizing that this refers to The Sermon on the Mount, insists against Chris's advice that the message be broadcast. The President agrees, and over the next few days, this and all subsequent peaceful religious statements from the Martians are heard throughout the world. Russian peasants, listening on contraband radios, tear down posters of Lenin and Stalin and begin to form small church enclaves, even as Kremlin soldiers attempt to gun them down. Finally, the people gain enough strength in numbers to take over the government. In the Andes, Calder drinks more and more, and one day his hut is destroyed by an avalanche. Soon, Chris hears that the new head of the Russian church has declared an era of world peace. Chris tells his baby Roger that his real accomplishment lies in his children, the new world's legacy, then goes to the laboratory with Linda. Just as they transmit one more message, however, Calder appears and reveals that he wrote all of the messages himself and plans to announce the hoax to the press, thus destroying the new peace. Linda, noting discrepancies between Calder's comments and the actual received messages, insists that the Martians really did intervene, but Chris notes that no messages have come through since Calders' transmitter was crushed in the avalanche. Linda then watches as Chris secretly fills the room with explosive hydrogen, and urges him to light a match, thus sacrificing themselves for the sake of world peace. Just as Chris takes out his lighter, however, a message comes in from the Martians, and a despairing Calder shoots at the screen, causing the lab to erupt. Days later, the President broadcasts the first words of the last Martian message, which was interrupted by the blast: "Ye have done well, my good..." As he interprets the rest of the Biblical passage, which states that God's faithful servants have created a monument of world peace, church bells ring across the world in honor of Chris and Linda.

Film Details

Also Known As
Miracle from Mars, Red Planet
Genre
Horror/Science-Fiction
Adaptation
Fantasy
Release Date
May 15, 1952
Premiere Information
not available
Production Company
Melaby Pictures Corp.
Distribution Company
United Artists Corp.
Country
United States
Screenplay Information
Based on the play Red Planet Mars by John L. Balderston and John Hoare (New York, 17 Dec 1932).

Technical Specs

Duration
1h 27m
Sound
Mono (RCA Sound System)
Color
Black and White
Theatrical Aspect Ratio
1.37 : 1

Articles

Red Planet Mars


Widespread fears about communist invasions and an atomic war in the early fifties resulted in a backlash of conservative, right-wing films that reflected a strong pro-Christian viewpoint. One of the most unconventional was The Next Voice You Hear (1950), in which a blue-collar factory worker (James Whitmore) and his family pick up transmissions on the radio from God who announces his "second coming." Even stranger was Red Planet Mars (1952), in which anticommunist propaganda, scientific mumbo-jumbo, and Old Testament evangelizing battle for equal time in a low-budget sci-fi melodrama that truly reflects the political climate of the McCarthy era. The outlandish story follows scientist Chris Cronyn (Peter Graves) as he begins receiving television broadcasts from Mars, revealing that the planet is governed by a Supreme Being - namely, God himself! When this news is received on Earth, pandemonium reigns: the economy collapses in the West; Russian revolutionaries overthrow their communist government; and former Nazi scientist Franz Calder (Herbert Berghof), inventor of the hydrogen tube, comes out of hiding in the Andes to reveal that He is the one who is faking those broadcasts from Mars. It turns out that Calder is taking credit for more than he deserves and the final revelation boggles the mind.

Considering the premise, it's easy to understand why Red Planet Mars received mixed reactions from the critics, ranging from complete bafflement to outright hostility, but the film has been noted for some of its eerily prophetic plot points: The U.S. president in the film, played by Willis Bouchey, bears a resemblance to Dwight D. Eisenhower, the former chief of staff of the U.S. Army, who officially took office as the president in 1953. There are also physical similarities between the Russian priest who overthrows the communist government in the Soviet Union and the Ayatollah Khomeini, who rose to power in Iran during the fifties.

In comparison to other sci-fi thrillers of the fifties, Red Planet Mars offered no alien mutants or ray-gun battles and was certainly a disappointment to any kid expecting some cheap thrills at a Saturday matinee. On the other hand, the film should prove endlessly fascinating to anyone interested in fifties culture in America. The dialogue alone is a crash course in social attitudes of the era, some of it blatantly sexist, as in the scene where Cronyn contemplates his unscientific wife - "Poor Linda, with all her silly fears." And there are plenty of other howlers in the script, not to mention the occasionally hilarious integration of stock footage into the narrative and some overwrought performances.

The talents behind this oddball effort are not your usual suspects in the B-movie industry. For instance, producer/screenwriter Anthony Veiller worked with some of Hollywood's most gifted directors like Frank Capra (State of the Union, 1948) and John Huston (Moulin Rouge, 1952). Charles D. Hall was a set designer who worked on such key Universal horror thrillers as Dracula (1931) and The Bride of Frankenstein (1935). Co-scripter John D. Balderston also wrote the screenplay for the latter film as well as other fantastic flicks like The Mummy (1932). Director Harry Horner was best known for his Oscar-winning work as an art director on The Heiress (1949) and The Hustler (1961), and Peter Graves went on to star in the cult TV series Mission: Impossible.

Producer: Donald Hyde, Anthony Veiller
Director: Harry Horner
Screenplay: John Hoare (I) (play), John L. Balderston (play), Anthony Veiller
Art Direction: Charles D. Hall
Cinematography: Joseph F. Biroc
Film Editing: Francis D. Lyon
Original Music: Mahlon Merrick
Principal Cast: Peter Graves (Chris Cronyn), Andrea King (Linda Cronyn), Walter Sande (Adm. Carey), Orley Lindgren (Steward Cronyn), Marvin Miller (Arjenian), Herbert Berghof (Franz Calder).
BW-88m.

by Jeff Stafford

Red Planet Mars

Red Planet Mars

Widespread fears about communist invasions and an atomic war in the early fifties resulted in a backlash of conservative, right-wing films that reflected a strong pro-Christian viewpoint. One of the most unconventional was The Next Voice You Hear (1950), in which a blue-collar factory worker (James Whitmore) and his family pick up transmissions on the radio from God who announces his "second coming." Even stranger was Red Planet Mars (1952), in which anticommunist propaganda, scientific mumbo-jumbo, and Old Testament evangelizing battle for equal time in a low-budget sci-fi melodrama that truly reflects the political climate of the McCarthy era. The outlandish story follows scientist Chris Cronyn (Peter Graves) as he begins receiving television broadcasts from Mars, revealing that the planet is governed by a Supreme Being - namely, God himself! When this news is received on Earth, pandemonium reigns: the economy collapses in the West; Russian revolutionaries overthrow their communist government; and former Nazi scientist Franz Calder (Herbert Berghof), inventor of the hydrogen tube, comes out of hiding in the Andes to reveal that He is the one who is faking those broadcasts from Mars. It turns out that Calder is taking credit for more than he deserves and the final revelation boggles the mind. Considering the premise, it's easy to understand why Red Planet Mars received mixed reactions from the critics, ranging from complete bafflement to outright hostility, but the film has been noted for some of its eerily prophetic plot points: The U.S. president in the film, played by Willis Bouchey, bears a resemblance to Dwight D. Eisenhower, the former chief of staff of the U.S. Army, who officially took office as the president in 1953. There are also physical similarities between the Russian priest who overthrows the communist government in the Soviet Union and the Ayatollah Khomeini, who rose to power in Iran during the fifties. In comparison to other sci-fi thrillers of the fifties, Red Planet Mars offered no alien mutants or ray-gun battles and was certainly a disappointment to any kid expecting some cheap thrills at a Saturday matinee. On the other hand, the film should prove endlessly fascinating to anyone interested in fifties culture in America. The dialogue alone is a crash course in social attitudes of the era, some of it blatantly sexist, as in the scene where Cronyn contemplates his unscientific wife - "Poor Linda, with all her silly fears." And there are plenty of other howlers in the script, not to mention the occasionally hilarious integration of stock footage into the narrative and some overwrought performances. The talents behind this oddball effort are not your usual suspects in the B-movie industry. For instance, producer/screenwriter Anthony Veiller worked with some of Hollywood's most gifted directors like Frank Capra (State of the Union, 1948) and John Huston (Moulin Rouge, 1952). Charles D. Hall was a set designer who worked on such key Universal horror thrillers as Dracula (1931) and The Bride of Frankenstein (1935). Co-scripter John D. Balderston also wrote the screenplay for the latter film as well as other fantastic flicks like The Mummy (1932). Director Harry Horner was best known for his Oscar-winning work as an art director on The Heiress (1949) and The Hustler (1961), and Peter Graves went on to star in the cult TV series Mission: Impossible. Producer: Donald Hyde, Anthony Veiller Director: Harry Horner Screenplay: John Hoare (I) (play), John L. Balderston (play), Anthony Veiller Art Direction: Charles D. Hall Cinematography: Joseph F. Biroc Film Editing: Francis D. Lyon Original Music: Mahlon Merrick Principal Cast: Peter Graves (Chris Cronyn), Andrea King (Linda Cronyn), Walter Sande (Adm. Carey), Orley Lindgren (Steward Cronyn), Marvin Miller (Arjenian), Herbert Berghof (Franz Calder). BW-88m. by Jeff Stafford

Quotes

Trivia

Notes

The working titles of this film were Miracle from Mars and Red Planet. Although certain elements of the film place the time frame as an unspecified future year, most of the picture appears to be set at the time of filming, in the early 1950s. Although the character called "The President" is never referred to as newly-elected president Dwight D. Eisenhower, actor Willis Bouchey was made to resemble him.
       Red Planet Mars was the first film made by the production team of Anthony Veiller and Donald Hyde under the company name Melaby Pictures, Inc. According to a November 1951 Los Angeles Times item, Andrea King left the lead role in American Pictures' Sword of Venus (see below) for Red Planet Mars. As noted in a December 3, 1951 Hollywood Reporter news item, Anthony Veiller's three-year-old son Bayard appeared in the film [as "Roger Cronyn"]. The child was named after Anthony Veiller's father, Bayard Veiller, a well-known director, producer and writer during the 1920s and 1930s. The Variety review states that the story's contemplated attack on Russia could be used as "propaganda fodder for the Reds."

Miscellaneous Notes

Released in United States March 1975

Released in United States Spring May 15, 1952

Released in United States March 1975 (Shown at FILMEX: Los Angeles International Film Exposition (Science Fiction Movie Marathon - Selection of Trailers) March 13-26, 1975.)

Released in United States Spring May 15, 1952