Days of Wine and Roses


1h 57m 1962
Days of Wine and Roses

Brief Synopsis

A husband and wife fight to conquer alcoholism.

Film Details

Genre
Drama
Release Date
Jan 1962
Premiere Information
Los Angeles opening: 26 Dec 1962
Production Company
Jalem Productions, Inc.; Martin Manulis
Distribution Company
Warner Bros. Pictures
Country
United States
Screenplay Information
Based on the teleplay "Days of Wine and Roses" by J. P. Miller on Playhouse 90 (CBS, 2 Oct 1958).

Technical Specs

Duration
1h 57m
Sound
Mono (RCA Sound System)
Color
Black and White
Theatrical Aspect Ratio
1.85 : 1

Synopsis

Joe Clay, a hard-working, hard-drinking public relations man in San Francisco, meets Kirsten Arnesen, a young secretary who adores chocolate but hates liquor. Joe, however, quickly converts her to drink, and within a few months after their marriage, she is able to match him drink for drink. After losing five jobs within the next 4 years, Joe decides that he and Kirsten must go on the wagon. They move in with Kirsten's father at his nursery and stay off alcohol for several weeks. But one night they go on a monumental bender, and Joe, after destroying the greenhouse looking for a bottle he has hidden, ends up in a hospital drying-out tank. Hungerford, an ex-addict, encourages him to join Alcoholics Anonymous, but he is lured back to drink by Kirsten. Realizing that they are doomed as long as she refuses to admit to her alcoholism, Joe takes their child and moves into another apartment. With the help of AA, he is able to reestablish his career and regain his self-respect. One night Kirsten visits him and begs to be taken back, but Joe sends her away when she refuses to give up drinking.

Photo Collections

Days of Wine and Roses - Movie Poster
Days of Wine and Roses - Movie Poster

Videos

Movie Clip

Trailer

Hosted Intro

Film Details

Genre
Drama
Release Date
Jan 1962
Premiere Information
Los Angeles opening: 26 Dec 1962
Production Company
Jalem Productions, Inc.; Martin Manulis
Distribution Company
Warner Bros. Pictures
Country
United States
Screenplay Information
Based on the teleplay "Days of Wine and Roses" by J. P. Miller on Playhouse 90 (CBS, 2 Oct 1958).

Technical Specs

Duration
1h 57m
Sound
Mono (RCA Sound System)
Color
Black and White
Theatrical Aspect Ratio
1.85 : 1

Award Wins

Best Song

1962

Award Nominations

Best Actor

1962
Jack Lemmon

Best Actress

1962
Lee Remick

Best Art Direction

1962

Best Costume Design

1962
Don Feld

Articles

Days of Wine and Roses


The original theatrical poster for Days of Wine and Roses (1962) had the freakshow pitch of a carnie with its exploitive tagline of "It is different. It is daring. Most of all, in its own terrifying way, it is a love story." Yet, the film was truly controversial in nature due to its realistic treatment of a young urban couple destroyed by their growing addiction to alcohol. It was also the first time moviegoers had seen Jack Lemmon, normally cast in comedies, in such an intensely dramatic role.

Days of Wine and Roses originally aired as a TV play by J. P. Miller on Playhouse 90 and starred Cliff Robertson and Piper Laurie in the lead roles. 20th-Century-Fox purchased the property but soon dropped it from their film slate due to the heavy costs incurred by the studio's production of Cleopatra (1963). They sold it to Warner Brothers who wanted a bigger box office name than Robertson for the lead character of Joe Clay, an ambitious public relations man who introduces his young bride, Kirsten, to social drinking. Robertson was just a year away from becoming a well known star, thanks to his role as John F. Kennedy in the true-life war drama, PT-109 (1963) but Jack Lemmon was offered the part instead. Likewise, Lee Remick replaced Piper Laurie as Kirsten, Clay's wife. Charles Bickford, in the role of Kirsten's father, was the only cast member to star in both the television and film versions.

While preparing for their roles, both Lemmon and Remick attended Alcoholics Anonymous meetings numerous times. Lemmon even spent several evenings at the Lincoln Heights jail where he observed inmates in the drunk tank and the dry-out rooms. He later said, "It was frightening, watching those poor souls tortured by delirium tremens. As a result of what I saw we changed several scenes. For instance, we used a dry-out table where you are strapped down, rather than having the guy just wake up in a cell."

Because Days of Wine and Roses dealt with such a serious issue, Warner studio executives were concerned about the film's commercial prospects and held a preview screening. To their horror about forty couples walked out on the film during its showing which was a record for the studio. Later they discovered that the preview ad had failed to mention that it was a drama and not the expected Jack Lemmon comedy. When Days of Wine and Roses went into national release, it earned unanimous critical acclaim and positive word-of-mouth that helped increase its box-office take. The film also earned five Academy Award nominations including Best Actor (Lemmon), Best Actress (Remick), Best Art Direction, Best Costume Design, and Best Song (by Johnny Mercer and Henry Mancini) which won the Oscar in its category.

Director: Blake Edwards
Producer: Martin Manulis
Screenwriter: J.P. Miller
Cinematographer: Philip H. Lathrop
Composer: Henry Mancini
Editor: Patrick McCormack
Songwriter: Johnny Mercer
Costumer Designer: Don Feld
Art Director: Joseph Wright
Cast: Jack Lemmon (Joe Clay), Lee Remick (Kirsten Anderson), Charles Bickford (Ellis Arnesen), Jack Klugman (Jim Hungerford), Alan Hewitt ("Red" Leland), Jack Albertson (Traynor).
BW-118m. Letterboxed. Closed captioning.

by Jeff Stafford
Days Of Wine And Roses

Days of Wine and Roses

The original theatrical poster for Days of Wine and Roses (1962) had the freakshow pitch of a carnie with its exploitive tagline of "It is different. It is daring. Most of all, in its own terrifying way, it is a love story." Yet, the film was truly controversial in nature due to its realistic treatment of a young urban couple destroyed by their growing addiction to alcohol. It was also the first time moviegoers had seen Jack Lemmon, normally cast in comedies, in such an intensely dramatic role. Days of Wine and Roses originally aired as a TV play by J. P. Miller on Playhouse 90 and starred Cliff Robertson and Piper Laurie in the lead roles. 20th-Century-Fox purchased the property but soon dropped it from their film slate due to the heavy costs incurred by the studio's production of Cleopatra (1963). They sold it to Warner Brothers who wanted a bigger box office name than Robertson for the lead character of Joe Clay, an ambitious public relations man who introduces his young bride, Kirsten, to social drinking. Robertson was just a year away from becoming a well known star, thanks to his role as John F. Kennedy in the true-life war drama, PT-109 (1963) but Jack Lemmon was offered the part instead. Likewise, Lee Remick replaced Piper Laurie as Kirsten, Clay's wife. Charles Bickford, in the role of Kirsten's father, was the only cast member to star in both the television and film versions. While preparing for their roles, both Lemmon and Remick attended Alcoholics Anonymous meetings numerous times. Lemmon even spent several evenings at the Lincoln Heights jail where he observed inmates in the drunk tank and the dry-out rooms. He later said, "It was frightening, watching those poor souls tortured by delirium tremens. As a result of what I saw we changed several scenes. For instance, we used a dry-out table where you are strapped down, rather than having the guy just wake up in a cell." Because Days of Wine and Roses dealt with such a serious issue, Warner studio executives were concerned about the film's commercial prospects and held a preview screening. To their horror about forty couples walked out on the film during its showing which was a record for the studio. Later they discovered that the preview ad had failed to mention that it was a drama and not the expected Jack Lemmon comedy. When Days of Wine and Roses went into national release, it earned unanimous critical acclaim and positive word-of-mouth that helped increase its box-office take. The film also earned five Academy Award nominations including Best Actor (Lemmon), Best Actress (Remick), Best Art Direction, Best Costume Design, and Best Song (by Johnny Mercer and Henry Mancini) which won the Oscar in its category. Director: Blake Edwards Producer: Martin Manulis Screenwriter: J.P. Miller Cinematographer: Philip H. Lathrop Composer: Henry Mancini Editor: Patrick McCormack Songwriter: Johnny Mercer Costumer Designer: Don Feld Art Director: Joseph Wright Cast: Jack Lemmon (Joe Clay), Lee Remick (Kirsten Anderson), Charles Bickford (Ellis Arnesen), Jack Klugman (Jim Hungerford), Alan Hewitt ("Red" Leland), Jack Albertson (Traynor). BW-118m. Letterboxed. Closed captioning. by Jeff Stafford

Days of Wine and Roses on DVD


The original theatrical poster for Days of Wine and Roses (1962) had the lurid pitch of a carnie with its exploitive tagline of "It is different. It is daring. Most of all, in its own terrifying way, it is a love story." Yet, the film was truly controversial in nature due to its realistic treatment of a young urban couple destroyed by their growing addiction to alcohol. It was also the first time moviegoers had seen Jack Lemmon, normally cast in comedies, in such an intensely dramatic role.

Days of Wine and Roses - now on DVD from Warner Video - originally aired as a TV play by J. P. Miller on Playhouse 90 and starred Cliff Robertson and Piper Laurie in the lead roles. 20th-Century-Fox purchased the property but soon dropped it from their film slate due to the heavy costs incurred by the studio's production of Cleopatra (1963). They sold it to Warner Brothers who wanted a bigger box office name than Robertson for the lead character of Joe Clay, an ambitious public relations man who introduces his young bride, Kirsten, to social drinking. Robertson was just a year away from becoming a well known star, thanks to his role as John F. Kennedy in the true-life war drama, PT-109 (1963) but Jack Lemmon was offered the part instead. Likewise, Lee Remick replaced Piper Laurie as Kirsten, Clay's wife. Charles Bickford, in the role of Kirsten's father, was the only cast member to star in both the television and film versions.

While preparing for their roles, both Lemmon and Remick attended Alcoholics Anonymous meetings numerous times. Lemmon even spent several evenings at the Lincoln Heights jail where he observed inmates in the drunk tank and the dry-out rooms. He later said, "It was frightening, watching those poor souls tortured by delirium tremens. As a result of what I saw we changed several scenes. For instance, we used a dry-out table where you are strapped down, rather than having the guy just wake up in a cell."

Because Days of Wine and Roses dealt with such a serious issue, Warner studio executives were concerned about the film's commercial prospects and held a preview screening. To their horror about forty couples walked out on the film during its showing which was a record for the studio. Later they discovered that the preview ad had failed to mention that it was a drama and not the expected Jack Lemmon comedy. When Days of Wine and Roses went into national release, it earned unanimous critical acclaim and positive word-of-mouth that helped increase its box-office take. The film also earned five Academy Award® nominations including Best Actor (Lemmon), Best Actress (Remick), Best Art Direction, Best Costume Design, and Best Song (by Johnny Mercer and Henry Mancini) which won the Oscar in its category.

One thing you'll notice immediately from viewing the Warner Video DVD of Days of Wine and Roses (an exceptionally good-looking transfer) is the crisp cinematography by Philip H. Lathrop, a reminder of how beautifully expressive the black and white medium can be. The extras on the disc are better than average and include two trailers (one features scenes from the movie interspersed with Jack Lemmon directly addressing the audience about the film's importance - it's a bit over the top as if Jack had too many cups of coffee; the other is a teaser version of the above). Even more interesting is a filmed phone interview (half the screen is blacked out) with Lemmon on the set as he answers questions from a journalist about the film; we only hear Jack's answers. But best of all is the commentary track by Blake Edwards which is unconventional to say the least. Edwards obviously has had little exposure to the DVD phenomenon and his confusion emerges early into the commentary when he interrupts himself to ask the recording engineer, "I don't understand - if I'm narrating this who's gonna pay any attention to me or to the film? I feel like I wanna be quiet for those that...(voice trails off)." In the course of his recollections, Edwards reveals a wealth of fascinating behind-the-scenes details, some of them rather inappropriate, particularly his memory of meeting an almost unrecognizable Lee Remick in the hospital shortly before her untimely death from cancer. But if you have any interest in the film whatsoever, it's a entertaining, often unpredictable ride with Mr. Edwards.

For more information about Days of Wine and Roses, visit Warner Video. To order Days of Wine and Roses, go to TCM Shopping.

by Jeff Stafford

Days of Wine and Roses on DVD

The original theatrical poster for Days of Wine and Roses (1962) had the lurid pitch of a carnie with its exploitive tagline of "It is different. It is daring. Most of all, in its own terrifying way, it is a love story." Yet, the film was truly controversial in nature due to its realistic treatment of a young urban couple destroyed by their growing addiction to alcohol. It was also the first time moviegoers had seen Jack Lemmon, normally cast in comedies, in such an intensely dramatic role. Days of Wine and Roses - now on DVD from Warner Video - originally aired as a TV play by J. P. Miller on Playhouse 90 and starred Cliff Robertson and Piper Laurie in the lead roles. 20th-Century-Fox purchased the property but soon dropped it from their film slate due to the heavy costs incurred by the studio's production of Cleopatra (1963). They sold it to Warner Brothers who wanted a bigger box office name than Robertson for the lead character of Joe Clay, an ambitious public relations man who introduces his young bride, Kirsten, to social drinking. Robertson was just a year away from becoming a well known star, thanks to his role as John F. Kennedy in the true-life war drama, PT-109 (1963) but Jack Lemmon was offered the part instead. Likewise, Lee Remick replaced Piper Laurie as Kirsten, Clay's wife. Charles Bickford, in the role of Kirsten's father, was the only cast member to star in both the television and film versions. While preparing for their roles, both Lemmon and Remick attended Alcoholics Anonymous meetings numerous times. Lemmon even spent several evenings at the Lincoln Heights jail where he observed inmates in the drunk tank and the dry-out rooms. He later said, "It was frightening, watching those poor souls tortured by delirium tremens. As a result of what I saw we changed several scenes. For instance, we used a dry-out table where you are strapped down, rather than having the guy just wake up in a cell." Because Days of Wine and Roses dealt with such a serious issue, Warner studio executives were concerned about the film's commercial prospects and held a preview screening. To their horror about forty couples walked out on the film during its showing which was a record for the studio. Later they discovered that the preview ad had failed to mention that it was a drama and not the expected Jack Lemmon comedy. When Days of Wine and Roses went into national release, it earned unanimous critical acclaim and positive word-of-mouth that helped increase its box-office take. The film also earned five Academy Award® nominations including Best Actor (Lemmon), Best Actress (Remick), Best Art Direction, Best Costume Design, and Best Song (by Johnny Mercer and Henry Mancini) which won the Oscar in its category. One thing you'll notice immediately from viewing the Warner Video DVD of Days of Wine and Roses (an exceptionally good-looking transfer) is the crisp cinematography by Philip H. Lathrop, a reminder of how beautifully expressive the black and white medium can be. The extras on the disc are better than average and include two trailers (one features scenes from the movie interspersed with Jack Lemmon directly addressing the audience about the film's importance - it's a bit over the top as if Jack had too many cups of coffee; the other is a teaser version of the above). Even more interesting is a filmed phone interview (half the screen is blacked out) with Lemmon on the set as he answers questions from a journalist about the film; we only hear Jack's answers. But best of all is the commentary track by Blake Edwards which is unconventional to say the least. Edwards obviously has had little exposure to the DVD phenomenon and his confusion emerges early into the commentary when he interrupts himself to ask the recording engineer, "I don't understand - if I'm narrating this who's gonna pay any attention to me or to the film? I feel like I wanna be quiet for those that...(voice trails off)." In the course of his recollections, Edwards reveals a wealth of fascinating behind-the-scenes details, some of them rather inappropriate, particularly his memory of meeting an almost unrecognizable Lee Remick in the hospital shortly before her untimely death from cancer. But if you have any interest in the film whatsoever, it's a entertaining, often unpredictable ride with Mr. Edwards. For more information about Days of Wine and Roses, visit Warner Video. To order Days of Wine and Roses, go to TCM Shopping. by Jeff Stafford

Quotes

Trivia

Learning that he had not been chosen to direct this movie adaptation of his acclaimed TV drama _Days of Wine and Roses (1958) (TV)_ , John Frankenheimer asked why and was told, "John, they say you're not a comedy director."

Jack Lemmon and Lee Remick's San Francisco residence is located at 1800 Pacific Avenue between Franklin and Gough Street.

Director Blake Edwards claims he hypnotized Lee Remick to help her perform her sloppy drunk motel scene.

Miscellaneous Notes

Released in United States Winter January 1, 1962

Released in USA on video.

Released in United States Winter January 1, 1962

Best Actor (Lemmon), Best Actress (Remick), Best Art Direction (b&w), and Best Costume Design (b&w).